Thoughts of a Digital Alternative

By Maria Moss

Since tomor­row is the Nation­al Day of Unplug­ging, we thought it only made sense to relaunch the “Thoughts of a Dig­i­tal Alternative.” Here’s our advice: Use your phone today and “tell a friend.” If you still need assis­tance, down­load the unplug­ging kit: www.nationaldayofunplugging.com.

 

Pho­to cred­it: Mike Mozart on Flickr

Believe it or not, I’ve nev­er owned a cell phone. This sen­tence com­ing from a tod­dler might not be that astound­ing, but com­ing from a mid­dle-aged woman who tremen­dous­ly enjoys the com­pa­ny of friends, col­leagues, and stu­dents, is rather sur­pris­ing. Why wouldn’t any­one – with the excep­tion of her­mits and strict tech­no refuseniks – want to enjoy being and stay­ing in touch all the time. Well, maybe it is exact­ly the “all the time” that I find dis­turb­ing. Of course, peo­ple tell me that you could just turn your phone off, that you don’t need to be online con­tin­u­ous­ly, that it’s o.k. to be unavail­able at times. And appar­ent­ly, I’m not alone.
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Beyoncé and Jay‑Z at the Louvre: A Timely Reminder of Art Museums’ Racist Past

By Wiebke Kartheus

Bey­on­cé and Jay‑Z pos­ing in front of the Mona Lisa

The Lou­vre is the most famous and most vis­it­ed muse­um in the world. Arguably, it is also the most pres­ti­gious one. So what does it mean when two of the biggest cul­tur­al icons of the 21st cen­tu­ry shoot a music video there? What does it mean when Bey­on­cé and Jay‑Z, under the name “The Carters,” present them­selves in the Lou­vre in their “Apesh*t” video released in June 2018?

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Adventure Time – Not Just for Children

By Kai-Arne Zimny

Image cred­it: Fred Seib­ert @ flickr

It was long after mid­night. I was sit­ting in a fan­cy bar, killing time while wait­ing for my train home. I’d been at Com­ic Con in Berlin that week­end and had a free­bie with me, its pack­age promi­nent­ly fea­tur­ing the image of a clum­si­ly drawn car­toon char­ac­ter with a yel­low dog. I con­sid­ered keep­ing it in my bag, giv­en that this was some­thing you’d expect to see in the hands of a preschool­er, cer­tain­ly not in this set­ting dom­i­nat­ed by high heels, suave suits, and classy cock­tails. How­ev­er, upon sit­ting down, I proud­ly put the car­toon on the counter. Instead of tak­ing my order, the bar­keep­er set his gleam­ing eyes on the boy and his dog, smiled from ear to ear, and said only two words: Adven­ture Time.

What fol­lowed was a free whiskey for me and a pas­sion­ate dis­cus­sion about a car­toon show fea­tur­ing a twelve-year old boy named Finn and his mag­i­cal dog, Jake, who live in a can­dy king­dom. You might say this sounds like a sto­ry made for lit­tle kids. Actu­al­ly, it sounds like a sto­ry made ‘by’ lit­tle kids. But the very adult bar­keep­er told me in absolute earnest­ness that Adven­ture Time’s (2010 – 2018) final season’s finale, which he’d just seen and which had its pre­miere in Ger­many on that very day, had moved him to tears. Now why is that?

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Arnold Krupat, Changed Forever: American Indian Boarding-School Literature 

By Maria Moss

The book’s cov­er says it all: It shows Apache stu­dents on their arrival at Carlisle Indi­an School in Penn­syl­va­nia, an off-reser­va­tion school thou­sands of miles away from the stu­dents’ homes in the south­west­ern Unit­ed States. The pho­to­graph at the bot­tom depicts the same stu­dents three years lat­er in 1889. What a dif­fer­ence! Where­as in 1886, the chil­dren were wear­ing shawls, robes, and pon­chos and had their hair done in dif­fer­ent styles – some even wear­ing hats – in the pho­to­graph below, every­one is dressed alike in what seems to be grey, woolen, very tight clothing.

The “Amer­i­can Indi­an prob­lem,” Arnold Kru­pat writes in his most recent book, Changed For­ev­er: Amer­i­can Indi­an Board­ing-School Lit­er­a­ture, per­mit­ted “only two solu­tions, exter­mi­na­tion or edu­ca­tion. Exter­mi­na­tion was cost­ly, some­times dan­ger­ous, and, too, it also seemed increas­ing­ly wrong.” The alter­na­tive was board­ing or off-reser­va­tion schools. Although count­less books and doc­u­men­taries describe the board­ing school sys­tem, rel­a­tive­ly lit­tle is known about how the chil­dren them­selves felt about their new envi­ron­ment, their dai­ly chores and school rou­tines. Kru­pat reme­dies this short­com­ing by plac­ing excerpts of those board­ing school nar­ra­tives in the appro­pri­ate cul­tur­al and his­tor­i­cal context.

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So, You Wanna Be a Writer?!? Beginnings, Endings, and Everything in Between – An Interview with Drew Hayden Taylor

By Maryann Henck

Pho­to Cred­it: Suzanne Carroll

Per­haps you’ve toyed with the idea of becom­ing a pro­fes­sion­al writer, or you sim­ply want to indulge in flights of fan­cy that you lat­er com­mit to paper. Whether you turn your pas­sion into your pro­fes­sion or rekin­dle the embers of that pas­sion every now and then, there’s always some­thing to learn from vet­er­an writ­ers. Since one of my pas­sions is improv, I asked Anish­nawbe writer Drew Hay­den Tay­lor if he’d mind doing an improv inter­view with me. As some­one who is used to script­ing his char­ac­ters’ respons­es, Drew was skep­ti­cal at first but warmed up to the inter­view in no time. Dur­ing our Skype call, I sent him 10 rapid-fire ques­tions one by one, which he, in turn, had to answer off the cuff. The result is a writer’s unadul­ter­at­ed low­down on writ­ing. Read more »