Tommy’s parents wave from the porch as our minivan pulls up. His dad smiles, and that’s when I see he’s missing about half of his teeth.
Before retiring a few years back, Gerald had been a mechanic. During high school, he’d apprenticed at his uncle’s garage, then serviced army vehicles while stationed in Germany. When he finally returned home he kept fixing cars. Worked “from can to can’t,” worked Saturdays, feeding himself
into the maw of busted trucks in unairconditioned Alabama, feeding a wife and three kids. Eventually he’d own his own shop, Franklin Automotive. In addition to repairs, he had a line on “totals,” wrecks the insurance company didn’t consider worth fixing. Gerald considered otherwise. He’d buy two or three of the same model at salvage auction and Frankenstein them together. Technically he wasn’t allowed to sell them – “branded title” and all that – but he figured there was no harm in it as long as the customer knew. He loved to negotiate, and that man could sell an icebox to an Eskimo.
Cape Cod has been on my list of travel destinations for quite some time. What connects me to the Cape’s outermost beaches of Massachusetts are Henry David Thoreau’s walking activities between 1849 and 1857, which he published in his book Cape Cod. Another Cape Cod memory I cherish are the breathtaking paintings of the luminists Fitz Hugh Lane, Martin Johnson Heade, or John Frederick Kensett, some of whose works can be seen in the Boston Museum of Fine Arts. This March, I rented a small and cozy cottage in North Truro for almost a week, anticipating to finally substitute my mental and imaginary ruminations with actual walks along the beaches of the Cape. The second day, a snowstorm hit the coast so that in spite of the many layers of windproof clothing, I soon retreated to the warmth of the cottage, curled up in a comfy chair, and watched the snowflakes dance outside the windows.
Writers are a special breed. Constantly shifting through their perception of the environment with detailed attention, they store and analyze any piece of information on the endless shelves of their flourishing mind. Everything is of value. The way the grumpy barista was holding the pen as he scribbled their name on their cup of take-away coffee; the momentary silence before a daughter answered her mother, assuring her that she would be home in time for dinner; the way he brushed her cheeks ever so slightly, tracing the outline of her cheekbone with the tip of his thumb as they sat on the park bench next to each other, their eyes drinking in each others’ presence.
Writers are like magicians. They turn to the world for inspiration to create a universe of their own, using a handful of words to later engage their readers. They feed the pages of a satirical play, a lost romance, or a spectacular crime. I’ve always found writers fascinating.
When I came to America as an exchange student in the spring of 2015, I was burning with curiosity but rather shy of expectations. Little did I know that the U.S. would be my literary haven. Read more »
Even if I am not able to remember the pitter-patter of my little feet on the rug-covered hardwood floor anymore, I still recall this comfortable feeling I had sleeping over at my grandparents. The times I woke up in the morning in my room, climbed out of my bed, sneaked across the hallway to my grandparents’ room, and came to a stop right in front of my grandmother’s bed. I looked straight at her face, her eyes still closed. It never took more than a minute before she opened them, smiled at me, and said, “Good morning, my little darling.” Read more »
In the second half of the interview, we turn our attention to Saloma Miller Furlong’s Bonnet Strings: An Amish Woman’s Ties to Two World (2014), the succeeding installment to her ex-Amish memoir Why I Left the Amish (2011). Both books depict and reflect on the struggles to put the past behind and embrace an unknown future. In Bonnet Strings, however, before being able to seize the chance to find true happiness and love in the world beyond the Amish, Furlong feels compelled to return to her former community after coming face-to-face with a vanload of relatives and Amish community members in Vermont. Once in her old surroundings, she tries yet again to “wear Amish” and reconcile her rebellious nature with the Amish mindset.
In contrast to the autobiography and its ‘one shot’ at a self-referential non-fictional narrative, serial memoir affords the writer the opportunity to revisit some of the same memories or reflections discussed in an early work from a later perspective or experience. Bonnet Strings opens with just such commentary.
Saloma Miller Furlong is author of the ex-Amish serial memoirs, Why I Left the Amish (2011) and Bonnet Strings: An Amish Woman’s Ties to Two Worlds (2014). She has also been featured on PBS American Experience documentaries, The Amish and The Amish: Shunned. Furlong’s debut memoir opens with a meditation on death in Amish society as she struggles to come to terms with her own father’s passing. Returning for the funeral stirs up memories of her childhood, troubled teenage years, and abuse. The complex interplay between age, class, gender, tradition, and her father’s mental illness serve as obstacles to her recovery. After years of being pushed to the margins of Amish society, the young woman hits rock bottom. Ultimately, however, she takes charge of her life and makes the impossible decision to put the Amish world behind her. Why I Left the Amish is an uncomfortable story, but – at the same time – one of empowerment. In this first segment of her interview, Furlong discusses the writing process as well as the healing power of both nature and human dialogue. Read more »