I met author Andrew Ridker at the Heine-Haus in Lüneburg on October 21, 2019. After the inspiring evening, he kindly agreed to an email interview with the American Studies Blog. His novel, The Altruists, describes a dysfunctional family burdened by their respective pasts and their attempts to repair shattered relationships. Ultimately, as the title suggests, it is also about being good.
SV: Your debut novel, The Altruists, is reaping the highest praise from critics in the U.S. and beyond. How are you coping with all of the attention?
AR: I’m extremely grateful for the kind reviews, which have exceeded my expectations, but in my experience those highs have an expiration date of roughly twenty-four hours. After that, it’s back to work.
SV: In October, you went on a book tour in Germany (Berlin, Göttingen, and Lüneburg), Austria (Salzburg), and Switzerland (Zürich). Was it your first visit to these German-speaking countries? Did anything surprise you?
This week’s installment concludes our series on the fall of the Berlin Wall. Enjoy!
Bobbie Kirkhart, Los Angeles
When I was very young, I imagined there was a wall just beyond my view, making sure I could not venture into the forbidden world. It made a strange shape, surrounding all the territory I could explore and blocking everywhere I could not. Perhaps it was that I was by far the youngest in my family, so that everyone else was an adult in my eyes and therefore free. Whatever the reason, I accepted as simple truth that I was banned from a world where everyone else was free to go. As I grew older, I realized that the wall was a metaphor, but I saw it as no less a reality in my life.
Nov. 9, 1989: I was lying in bed when I thought I heard the phone ring. The next morning, there was in fact a message on my answering machine from about 3 a.m. “Hi Marlena! You won’t believe where I am. (Pause) I’m in the West, at my Aunt’s house in West Berlin! It’s just unbelievable!”
o here I am in famous Montmartre next to 50 other unknown artists who all do the same thing – draw famous people. Ironic, isn’t it? It’s October, and the leaves are fading. I call it fade, not fall because when you stand on this mountain all year long, you see how everything fades away. The view is fading, the heat is fading, the customers are fading. What can I say, you get used to it.
The first years, I still shaved and kept my hair short, but you let go of those vanities after a few cold winters out here. And you realize: Nobody cares. The only thing your customers care about is that you’re wearing a beret. I guess they think it’s artsy and French. Hypocrites.
Government Springs Park was once the pride of Enid, Oklahoma. During my childhood, government was considered a good thing, so we often used that full name in admiration. Today it’s usually called simply Springs Park. Every school child knew it had been a camp site on the old Chisholm Trail, the best known of the routes used to drive cattle from Texas to the Kansas railroads after the Civil War.
It was a perfect campground: hills overlooking the flat land where the cattle grazed and, most important, the drinking water from natural springs that fed the lake. These things also made a perfect park for children: the flat land – then punctuated with unsafe but exciting wooden swings, hand-operated merry-go-rounds, and seesaws – was great for running. We could drink from the springs, at that time corralled by a pipe. I’m sure the water was less than pure, but I never knew anyone to get sick from it. We could climb the gentle hills to the swimming pool, and, on special occasions, my father would spring for a quarter to rent a rowboat to take us on the lake.
It was a child’s paradise except that we could never climb the steeper hills on the south side of the lake. That was reserved for the “colored people,” as the other two-thirds of the park was reserved for whites. I was curious, as children are about anything forbidden, but never dared to go. I understood my parents didn’t agree with the law, but it was the law, and arguing was not permitted.
Flash fiction is not only a fun and quick read, but also a fun and not-always-so-quick write. The key is to create a succinct story – ranging from 250 to 1000 words – that preferably focuses on one specific character and ends with a twist or epiphany for the character in question. In my creative writing seminar, “A Way with Words – Away with Words,” Rebecca rose to the flash-fiction challenge and composed a three-piece collection entitled The French Connection – an homage to the artsy and quirky characters that populate the Parisian landscape. The first instalment, “Belle Époque,” recounts the musings of a somebody from a small town who always dreamed of making it big.