Ask any Native Studies scholar in Europe, and they will be well aware of the European fascination with Native peoples of North America – a fascination that can be traced back to the novels of 19th century writer Karl May who furthered the noble savage stereotype. The preeminent scholar for Native Studies, Hartmut Lutz, even coined a term for it: Indianthusiasm. When we heard about the 8th Indianer Inuit Festival in Stuttgart from February 6-9, 2020, two questions came to mind: Would this Indianthusiasm come to life or be deconstructed at the festival? And is “Indianer” even a term that should still be used in German-speaking countries?
So we packed our bags and took the 5½-hour train ride from Lüneburg to Stuttgart to investigate. The festival’s program was quite extensive, encompassing documentaries, short films, feature films, children’s films, and music videos produced and directed by Indigenous artists from North America and beyond. Apart from visiting the film screenings, we also encountered fascinating people who gave us an inkling of the impressive variety of contemporary Native artistic expression.
A year has passed since the events of The Last Jedi (2017). Kylo Ren (Adam Driver) is Supreme Leader of the evil galactic regime called The First Order and still strangely drawn and connected to his enemy, the last Jedi and resistance fighter Rey (Daisy Ridley). But not everything is as it seems, and we soon realize who’s been pulling the strings all along.
Animals are all around us.But what do we actually mean when we say “animal”? We are, of course, also animals: human animals.
In recent years, animals have entered university life, and scholars in fields as diverse as art, philosophy, and religious studies approach animals from different angles and methodologies. Animals are to some extent invisible until they enter the realm of the human.Then they become pets, cattle, or laboratory animals.
Are you curious? Could this subject enrich your teaching curriculum? Then why don’tyou join us at Leuphana University from January 23 to 25. For further information, including registration details, see the program.
Blue Valentine: A Love Story (2011). That’s what it says on the movie poster. But is this what the movie is really about? A romantic, sustained, and profound lifelong bond between two people? Well, maybe it isn’t.
The present: Dean (Ryan Gosling) is an overall likeable, easygoing slacker. His job, painting houses, allows him the ‘luxury’ of drinking beer in the morning. He’s not a radiant source of bliss but being married to Cindy (Michelle Williams) and getting goofy with their little daughter Frankie (Faith Wladyka) is what he calls “his dream.” However, Cindy, a nurse, has higher aspirations. To her, Dean’s “dream” is nothing but an endlessly depressing nightmare.
The past: Charming high school dropout Dean works as a furniture mover and meets med student Cindy. To him, it’s love at first sight. To her, it’s so-so. He makes jokes, she laughs; he sings and plays the ukulele, she tap dances to the tunes. Her father hates him, but that’s not an issue because love conquers all – right?
I met author Andrew Ridker at the Heine-Haus in Lüneburg on October 21, 2019. After the inspiring evening, he kindly agreed to an email interview with the American Studies Blog. His novel, The Altruists, describes a dysfunctional family burdened by their respective pasts and their attempts to repair shattered relationships. Ultimately, as the title suggests, it is also about being good.
SV: Your debut novel, The Altruists, is reaping the highest praise from critics in the U.S. and beyond. How are you coping with all of the attention?
AR: I’m extremely grateful for the kind reviews, which have exceeded my expectations, but in my experience those highs have an expiration date of roughly twenty-four hours. After that, it’s back to work.
SV: In October, you went on a book tour in Germany (Berlin, Göttingen, and Lüneburg), Austria (Salzburg), and Switzerland (Zürich). Was it your first visit to these German-speaking countries? Did anything surprise you?
“[This] again proves my theory that Germans love David Hasselhoff,” concludes Norm Macdonald on his Saturday Night Live segment “Weekend Update” in the early 90s. The crowd roars with laughter, the punchline has become a favorite among them for quite a while. “Those silly Germans,” Macdonald’s eyes seems to say.
Over twenty years later, the joke might not be remembered but the sentiment certainly persists. Many Germans complain on their travel blogs about getting asked about “The Hoff” while traveling around the USA. Some of them barely know who he is. Indeed, today’s young adults might only faintly remember Hasselhoff for running around in red shorts, talking to cars, and having his drunken misdemeanors captured on camera. This has not always been the case.
During the 1980s, both of Hasselhoff’s shows, Knight Rider and Baywatch, were largely celebrated in Germany. That is to say, not only in Germany. Baywatch was exported into 144 countries with over a billion people worldwide sitting in front of their TVs every week. His shows featured elements that were exciting for German viewers: futuristic technology and attractive young actors in very little clothing on sunny beaches. “The Hoff” consequently made his way into German magazines for teens – like Bravo and Mädchen – but so did John Travolta and Patrick Swayze. What made Hasselhoff so different?