However, David is neither able nor willing to hide his social background from his school and teammates, boys from rich families across the board. Despite the differences, he is able to bond with them and even become popular quickly. However, just as quickly he is confronted with the sad truth that there’s yet another difference the boys won’t be willing to overlook that easily – that he’s Jewish. Read more
Storytelling is as old as human civilization itself and fulfills a human need. In societies, in which education is becoming more commodified, students do not only want to be relegated to the position of consumers and regurgitate memorized facts. They have often told me that they want some control over their studies and the chance to produce meaningful, creative work. In one of my project-oriented seminar on life writing, students – including Ines van Rahden – got the chance to do just that. You can listen to her story, “24 Hours behind Bars,” at the end of this blog.
In this section of the interview, Tom Rice talks more about his book, the symbolism surrounding the Klan, and the rumors about the Klan’s alleged connection to President Trump.
It’s an interview you won’t want to miss. Enjoy!
Tom Rice is Senior Lecturer in Film Studies at the University of St Andrews and the author of White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan (2015). In this book, he examines the integral role of cinema in the formation, development, and demise of the Ku Klux Klan between 1915 and 1944. Through a range of sources – including Klan newspapers, censorship files, and personal papers – the book explores the ways in which the Klan used, produced, and protested against the film industry in order to recruit members, generate publicity, and define itself as a traditional Protestant American organization.
The following interview took place in December 2016 (note the Advent wreath).
Tune in next week for part 2!
Dr. Henry Morgan (Ioan Gruffudd) is British, works as a medical examiner for the New York Police Department, and likes scarves and classical music. Oh, he is also immortal and utterly clueless why.
Fear not, this is not a spoiler to the show and not even to its pilot as the first episode begins with Morgan’s words about his “first death” two centuries ago. Since then he hasn’t aged a day, maintaining the look of a man in his mid to late thirties and has never died. Well, actually he has died many times but always came back to life within seconds and without a scratch. Having presented that brief statement about his “condition” – as he calls it – Dr. Morgan assures us that we know as much about it as he himself does. What follows is the unraveling of the first clues about a mysteriously emerging opponent – dangerous and unpredictable.
The limits of my language
mean the limits
of my world.
– Ludwig Wittgenstein
Does time only flow in a continuum? Does a sentence have to contain a verb? The answer to the first question hasn’t been definitively answered. The answer to the second one is definitely no. Both play a role in the science fiction movie Arrival, directed by Denis Villeneuve.
For once, the U.S. government doesn’t bomb first and ask questions later. When aliens arrive, they send the linguist Dr. Louise Banks (Amy Adams) to try to solve the mystery of their language so that peaceful communication can take place. This is where my little geeky language heart starts to beat faster. Concepts such as the Sapir-Whorf hypothesis (the correlation between language and worldview), logograms (symbols standing for words and not a single sound), and palindromes (words reading the same backwards and forwards) are used. The movie does an excellent job explaining these concepts so that non-linguists understand and linguists don’t get bored.