Tag Archives: Movie

The Emotional Men of The Flash (2014–2023)

By Veronika M. Heinrich

Pow! Smash! Punch! Those are expres­sions that eas­i­ly come to mind when think­ing of a super­hero. This is because heroes like Super­man or Bat­man tra­di­tion­al­ly solve their prob­lems with lots of action, some­times even with vio­lence. In the CW show The Flash, Bar­ry Allen aka The Flash takes a dif­fer­ent approach – he tries to under­stand the vil­lains’ back­sto­ries, and if there’s a pos­si­bil­i­ty for redemp­tion, he takes it. But this series doesn’t stop there – many of its char­ac­ters dis­play healthy mas­culin­i­ty. So maybe there’s anoth­er way to save the day.

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Jury Duty’s Ronald Gladden or How to Accidentally Become a Star

By Charlina Strelow

Remem­ber “The Tru­man Show,” the icon­ic 90s movie star­ring Jim Car­rey who slow­ly real­izes that his entire life is being filmed against his will and broad­cast to a mass audi­ence? Well, imag­ine that, but make it true this time.

The set­ting:

Los Ange­les. Four­teen peo­ple are called in for jury duty. Jury duty is part of America’s judi­cial sys­tem where ran­dom­ly select­ed U.S. cit­i­zens are required – unless excused – to appear in court and take part in a case’s verdict.

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From the Lifeless Pages of History Books to the Big Screen: Chinonye Chukwu’s Till (2022)

By Sabrina Völz

“The lynch­ing of my son has shown me that what hap­pens to any of us

any­where in the world had bet­ter be the busi­ness of us all.”

Mamie Till-Bradley in Till

Photo credit: Maxim Hopman
Pho­to cred­it: Max­im Hopman

The name Till is one that most Amer­i­cans and many peo­ple around the world will rec­og­nize from their civ­il rights his­to­ry lessons. In 1955, while vis­it­ing fam­i­ly, Emmett Till, a 14-year-old boy from Chica­go, was bru­tal­ly beat­en and mur­dered for alleged­ly flirt­ing with and whistling at a mar­ried white woman near Mon­ey, Mis­sis­sip­pi. His bloat­ed body was lat­er found in the Tal­la­hatchie River.

I must admit that when I first heard about the film Till, it imme­di­ate­ly sparked my curios­i­ty. Yes, I thought. The heinous crime that caused a media fren­zy and gal­va­nized the civ­il rights move­ment needs to be brought to new gen­er­a­tions. But wait. We live in an age of trig­ger warn­ings (state­ments that alert read­ers or view­ers to poten­tial­ly dis­turb­ing con­tent) and audi­ences with a height­ened sen­si­tiv­i­ty to vio­lence. So how can film direc­tor Chi­nonye Chuk­wu draw view­ers to movie the­aters and simul­ta­ne­ous­ly do jus­tice to the bru­tal­i­ty of that crime?

It also intrigued me that Chuk­wu placed Emmett Till’s moth­er, Mamie Till-Bradley, in the film’s cen­ter. If she’s men­tioned at all in Amer­i­can his­to­ry text­books, it’s main­ly to rec­og­nize the role she played in the deci­sion to show the world what South­ern hatred looked like. She was the dri­ving force to ensure an open cas­ket at Emmett Till’s funer­al. So what does the film reveal that most his­to­ry books do not?

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We Own the Majority: Mayans M.C. Brings Drama, Representation, and Larger-Than-Life Grit

By Hannah Quinque

Pho­to by Ste­qvc at https://commons.wikimedia.org/wiki/File:MayansMC.png#/media/File:MayansMC.png.

FX’s Mayans M.C. is a dra­ma series show­cas­ing a world of guns and drugs around a bik­er gang in SoCal, right at the US-Mex­i­can bor­der. Can a set­ting rid­dled with stereo­types present a back­drop for desir­able rep­re­sen­ta­tion with its prin­ci­pal­ly Mex­i­can Amer­i­can (Chi­cano) char­ac­ters? Let’s look beyond the basic premise and find out how Mayans M.C., for all its machis­mo, tells tales full of life sel­dom fea­tured, off- as well as on-screen.

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Going against the Grain: Declaring My Love for Cars 2

By Veronika Heinrich

Every­body hates Cars 2 – and I just don’t under­stand why. First of all, let me make a con­fes­sion: I’m 25 years old and a Dis­ney nerd. I love watch­ing ani­mat­ed movies – as long as they’re well made. And Cars 2, even after more than ten years, is still my all-time feel-good movie.

It has every­thing you could wish for: Uplift­ing words, fun­ny jokes, and a world you can lose your­self in. There’s bare­ly any­thing that’s hate­ful or trig­ger­ing, and I love join­ing the char­ac­ters on their jour­ney. Yet, most crit­ics have char­ac­ter­ized Cars 2 as vio­lent and illog­i­cal, call­ing it the worst Pixar movie ever – and I just can’t wrap my head around it. How could I feel so dif­fer­ent­ly from every­one else?

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The ‘Woke’ Cinderella Recipe: A Dash of Queerness, a Pinch of Feminism, and a Sprinkling of Fairy Dust

By Veronika Heinrich

Once upon a time, there was a young woman named Cin­derel­la (Cami­la Cabel­lo). In the 2021 film, she loves to design dress­es and wants to make a busi­ness out of it. When the prince (‎Nicholas Gal­itzine) announces a ball, her step­moth­er Vivian (Idi­na Men­zel), want­i­ng to pro­tect her from the patri­ar­chal world out­side, destroys Cinderella’s dress to keep her from poten­tial­ly mar­ry­ing a man she’d just met. The prince, how­ev­er, is in love with his best friend (Jenet Le Lacheur) but can’t real­ly admit it – not even to him­self. Also, he’s not qual­i­fied to rule the king­dom. The patri­archy, how­ev­er, wants him to become king and will nev­er agree to his smart sis­ter (Tal­lu­lah Greive) becom­ing queen.

When Cinderella’s fairy god per­son (Bil­ly Porter) arrives, they not only turn one of her designs into real­i­ty, but they also throw a par­ty at Cinderella’s place. When the prince and his best friend arrive, the pres­ence of the fairy god per­son gives them the strength to admit their feel­ings for each oth­er. The prince’s sis­ter becomes heir to the throne, and Cin­derel­la finds a queen with whom to trav­el around the world and sell her designs. And they all live hap­pi­ly ever after.

Only that’s not what happens.

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