Whenever I talk to people about Valentine’s Day, I get some sort of hateful response. It’s only about money. You’re forced to buy something for your significant other or they’ll be mad. It’s more romantic to show your love every day in small gestures rather than doing so only one day a year. And it’s all just a devious plan of the industry, trying to sell heart-shaped food, flowers, and other festive nonsense.
Is that the truth or can Valentine’s Day be something more? As a fan of spreading love and appreciation, I want to investigate this further. What are the roots of Valentine’s Day? And how can we escape all this negativity and make it an enjoyable day?
Vladimir the Small, as history is sure to remember him, has pulled the iron curtain off the trash pile and ordered it rehung. His security blanket. Thirty years exposed to Western ideas of choice – enough of that. Obedience or destruction, enough choice for his people.
The Marshall Plan has become synonymous for massive help, for bringing about a herculaneum task and having a country rise again from the ashes. Originally designed to help Europe get back on track after the devastations of World War II, it has a much broader meaning today. In discussions about how to rebuild Ukraine at some point in the future, there’s again talk of the need for a Marshall Plan. However, it’s worthwhile to take a step back and look at what the original Marshall Plan was all about.
Granted, Babylon Berlin has at its disposition all the means necessary to become a true blockbuster. But it isn’t every day the viewer gets to experience just how phenomenally a big budget can be spent on a TV series – without compromises between bombastic montages and cinematography for lovers, between fast-paced story development and credibly complex characters, that is.
For Babylon Berlin, produced in Germany by German production companies, the commitment to an unflinching and unreserved depiction of a nation on the verge of fascism pays off. As a bit of an inside tip, the show’s spectacular efforts are appreciated far beyond its country of origin, as demonstrated by almost exclusively glowing U.S. reviews.
January 1, 2000. Not just a new century, but a new millennium. Spotless, for the briefest moment, though far from empty. Arriving so brimful of promise and hope. “What will it be like?” we wondered, staring almost child-like at the clock as it approached the new era. A brand-new, unopened, ready-to-use millennium! And this time, with all we’d learned over past millennia, we would get things right.
“Do they have traffic lights in Ireland?” This was a naive question posed to my cousin on a visit to the United States in the 1980s. To my pre-teen intellect, this was the kind of insult that demonstrated the height of American ignorance my friends and I so often scoffed at. There was laughter at such a ludicrous concept.
The image of Ireland as backward bordered on comical and more often, irritating. After all, we were a nation with a deep history and a rich culture with literary giants like James Joyce, Oscar Wilde, and W.B. Yeats. Musically, we boasted the renowned talent of everything from The Dubliners and Thin Lizzy to the global phenomenon of U2. In our minds, we might be a small island, but we were extremely proud and accomplished.