All posts by Sebastian Reimann

An Interview with Award-Winning Author Jayne Anne Phillips

By Sabrina Völz

Pho­to cred­it: Ele­na Seibert

After par­tic­i­pat­ing in an inspir­ing writ­ing work­shop with Jayne Anne Phillips as part of The 15th Inter­na­tion­al Con­fer­ence on the Short Sto­ry in Eng­lish in Lis­bon this past June, Jayne Anne kind­ly agreed to answer a few ques­tions for the ASB. The result­ing email inter­view gives our read­ers a glimpse into the many roles that Jayne Anne plays and her take on cre­ative writ­ing in a post-lit­er­ate society.

 

Sab­ri­na: Please use three adjec­tives to describe yourself.

Jayne Anne: Three words: these might change day to day, but today I’d say: Deter­mined. Ques­tion­ing. Hyper-sen­so­ry aware.

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Improving Robert Frost’s poem, “Stopping by Woods on a Snowy Evening”

By Maria Moss

f course the title is face­tious: I cer­tain­ly don’t want to – even if I could, which I can’t – improve one of the best and most anthol­o­gized poems in the Eng­lish lan­guage writ­ten by one of the great­est lyri­cal voic­es of all times. What I ‘do’ want to do, how­ev­er, is write about a teach­ing tool that ini­tial­ly sends shiv­ers up every student’s back: con­tin­u­ing a poem, using the same rhyme scheme and meter. Once they’ve mas­tered the task, how­ev­er, they’re quite proud of them­selves – and right­ful­ly so.
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Thoughts of a Digital Alternative

By Maria Moss

Since tomor­row is the Nation­al Day of Unplug­ging, we thought it only made sense to relaunch the “Thoughts of a Dig­i­tal Alternative.” Here’s our advice: Use your phone today and “tell a friend.” If you still need assis­tance, down­load the unplug­ging kit: www.nationaldayofunplugging.com.

 

Pho­to cred­it: Mike Mozart on Flickr

Believe it or not, I’ve nev­er owned a cell phone. This sen­tence com­ing from a tod­dler might not be that astound­ing, but com­ing from a mid­dle-aged woman who tremen­dous­ly enjoys the com­pa­ny of friends, col­leagues, and stu­dents, is rather sur­pris­ing. Why wouldn’t any­one – with the excep­tion of her­mits and strict tech­no refuseniks – want to enjoy being and stay­ing in touch all the time. Well, maybe it is exact­ly the “all the time” that I find dis­turb­ing. Of course, peo­ple tell me that you could just turn your phone off, that you don’t need to be online con­tin­u­ous­ly, that it’s o.k. to be unavail­able at times. And appar­ent­ly, I’m not alone.
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Beyoncé and Jay‑Z at the Louvre: A Timely Reminder of Art Museums’ Racist Past

By Wiebke Kartheus

Bey­on­cé and Jay‑Z pos­ing in front of the Mona Lisa

The Lou­vre is the most famous and most vis­it­ed muse­um in the world. Arguably, it is also the most pres­ti­gious one. So what does it mean when two of the biggest cul­tur­al icons of the 21st cen­tu­ry shoot a music video there? What does it mean when Bey­on­cé and Jay‑Z, under the name “The Carters,” present them­selves in the Lou­vre in their “Apesh*t” video released in June 2018?

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Adventure Time – Not Just for Children

By Kai-Arne Zimny

Image cred­it: Fred Seib­ert @ flickr

It was long after mid­night. I was sit­ting in a fan­cy bar, killing time while wait­ing for my train home. I’d been at Com­ic Con in Berlin that week­end and had a free­bie with me, its pack­age promi­nent­ly fea­tur­ing the image of a clum­si­ly drawn car­toon char­ac­ter with a yel­low dog. I con­sid­ered keep­ing it in my bag, giv­en that this was some­thing you’d expect to see in the hands of a preschool­er, cer­tain­ly not in this set­ting dom­i­nat­ed by high heels, suave suits, and classy cock­tails. How­ev­er, upon sit­ting down, I proud­ly put the car­toon on the counter. Instead of tak­ing my order, the bar­keep­er set his gleam­ing eyes on the boy and his dog, smiled from ear to ear, and said only two words: Adven­ture Time.

What fol­lowed was a free whiskey for me and a pas­sion­ate dis­cus­sion about a car­toon show fea­tur­ing a twelve-year old boy named Finn and his mag­i­cal dog, Jake, who live in a can­dy king­dom. You might say this sounds like a sto­ry made for lit­tle kids. Actu­al­ly, it sounds like a sto­ry made ‘by’ lit­tle kids. But the very adult bar­keep­er told me in absolute earnest­ness that Adven­ture Time’s (2010 – 2018) final season’s finale, which he’d just seen and which had its pre­miere in Ger­many on that very day, had moved him to tears. Now why is that?

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