All posts by Sebastian Reimann

The Berlin Blockade

By Andreas Hübner

Berlin­ers watch a Dou­glas C‑54 Sky­mas­ter land at Tem­pel­hof Air­port, 1948

Sev­en­ty years ago, on May 12, 1949, the Berlin Block­ade came to an end. Nowa­days con­sid­ered a cor­ner­stone of the Cold War Era, the block­ade had been ini­ti­at­ed eleven months ear­li­er by the Sovi­et mil­i­tary admin­is­tra­tion in response to the intro­duc­tion of a new cur­ren­cy, the Deutsche Mark, in the Amer­i­can, British, and French occu­pa­tion zones of Ger­many and the allied sec­tors of Berlin. The Sovi­ets under­stood the D‑Mark as a pre­lude to the estab­lish­ment of a sin­gle eco­nom­ic unit and a new gov­ern­ment in West Ger­many. Thus, to pre­vent the dis­tri­b­u­tion of the cur­ren­cy and to force the West­ern coali­tion to aban­don the city, the Sovi­et mil­i­tary admin­is­tra­tion began block­ing West Berlin, halt­ing all rail, road and barge traf­fic as well as cut­ting off gas and elec­tric­i­ty supplies.
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Brevity is the Soul of Wit: Whipping up a Flash Fiction Collection

By Maryann Henck

Flash fic­tion is not only a fun and quick read, but also a fun and not-always-so-quick write. The key is to cre­ate a suc­cinct sto­ry – rang­ing from 250 to 1000 words – that prefer­ably focus­es on one spe­cif­ic char­ac­ter and ends with a twist or epiphany for the char­ac­ter in ques­tion. In my cre­ative writ­ing sem­i­nar, “A Way with Words – Away with Words,” Rebec­ca rose to the flash-fic­tion chal­lenge and com­posed a three-piece col­lec­tion enti­tled The French Con­nec­tion – an homage to the art­sy and quirky char­ac­ters that pop­u­late the Parisian land­scape. The first instal­ment, “Belle Époque,” recounts the mus­ings of a some­body from a small town who always dreamed of mak­ing it big.

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Teaching the Next Generation – A German Saturday School in the U.S.

By Christoph Strobel

It’s Sat­ur­day morn­ing ten after nine. After a half hour dri­ve, my two daugh­ters and I pull into the park­ing lot out­side a school that is sit­u­at­ed in an afflu­ent Boston sub­urb. We are among over 400 stu­dents (rang­ing from age 4 to 17), their par­ents, and about 40 fac­ul­ty and staff mem­bers. Every Sat­ur­day morn­ing, this build­ing serves as the Ger­man Sat­ur­day School Boston (GSSB), found­ed in 1874 by the Boyl­ston Schul-Vere­in.
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Every Story Tells a Picture or How to Vignette

By Maryann Henck

Angelia Velosa & Cristo­pher Gomez, Door 95 in the Rua San­ta Maria — The arT of oPEn doORs/Projecto aRTe pORtes abEr­tas, Fun­chal, Madeira; Pho­to cred­it: Maryann Henck

In the age of social media, it’s the image that rules. Insta­gram is the per­fect exam­ple: It not only feeds some people’s insa­tiable need to doc­u­ment and offer glimpses into their pri­vate lives but also caters to a cer­tain audience’s desire to con­sume and expe­ri­ence these slices of life vic­ar­i­ous­ly. Insta­gram refers to the images post­ed as “sto­ries,” a des­ig­na­tion that fits in per­fect­ly with the proverb: Every pic­ture tells a sto­ry. And sto­ries are almost always subject(ed) to inter­pre­ta­tion. In the case of these Insta­gram pic­ture sto­ries, often the only clue is a brief cap­tion or hashtag.

But what if the focus were to be shift­ed and that proverb were to be reversed? Read more »

We Need a Break or We’ll Break or Why to Vignette

By Kai-Arne Zimny

 

”Lose your mind and come to your sens­es.” Fritz Perls

 

In an age of nev­er-end­ing par­al­lel con­ver­sa­tions, screens and sec­ond screens, and an even more inter­est­ing sto­ry just one swift move away from your fin­ger­tips, the most nat­ur­al and human­ly intu­itive things sud­den­ly don’t come easy any­more. It’s not easy to just go for a walk. To feel the earth give way under your feet. To lis­ten to the wind whis­per­ing cold gib­ber­ish into your ears. To feel the sun on your skin, that warm yel­low mas­sage of light. To smell the green of the trees, to grate­ful­ly breathe in what they so lov­ing­ly breathe out.

Since our feet are already in ‘vignetty’ waters, let’s go for a dive!

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Findians: A Journey to Distant Cousins

By Dagmar Mißfeldt

In their 2016 book, Fin­ti­aanien Mail­la, three Finnish women take read­ers on a jour­ney into unknown ter­ri­to­ry. Meeri Koutanie­mi (pho­to jour­nal­ist), Maria Sep­pälä (jour­nal­ist and doc­u­men­tary film­mak­er), and Kat­ja Ket­tu (best­selling author) intro­duce us to Find­i­ans, a group of peo­ple who prac­ti­cal­ly nobody has heard of, at least until now.

Between 1860 and 1940, approx­i­mate­ly 400,000 Finnish emi­grants left their home­land for North Amer­i­ca in search of a bet­ter life. They main­ly set­tled in Min­neso­ta, Michi­gan, and Ontario. 400,000 is an amaz­ing­ly high num­ber, espe­cial­ly when one con­sid­ers that Fin­land only had a pop­u­la­tion of about three mil­lion peo­ple in 1900. In their new home­land, the Finnish came in con­tact with the Ojib­wa peo­ple. Rel­a­tive­ly quick­ly, the indige­nous peo­ple and the Finns noticed that they had much in common:

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