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Arnold Krupat, Changed Forever: American Indian Boarding-School Literature 

By Maria Moss

The book’s cov­er says it all: It shows Apache stu­dents on their arrival at Carlisle Indi­an School in Penn­syl­va­nia, an off-reser­va­tion school thou­sands of miles away from the stu­dents’ homes in the south­west­ern Unit­ed States. The pho­to­graph at the bot­tom depicts the same stu­dents three years lat­er in 1889. What a dif­fer­ence! Where­as in 1886, the chil­dren were wear­ing shawls, robes, and pon­chos and had their hair done in dif­fer­ent styles – some even wear­ing hats – in the pho­to­graph below, every­one is dressed alike in what seems to be grey, woolen, very tight clothing.

The “Amer­i­can Indi­an prob­lem,” Arnold Kru­pat writes in his most recent book, Changed For­ev­er: Amer­i­can Indi­an Board­ing-School Lit­er­a­ture, per­mit­ted “only two solu­tions, exter­mi­na­tion or edu­ca­tion. Exter­mi­na­tion was cost­ly, some­times dan­ger­ous, and, too, it also seemed increas­ing­ly wrong.” The alter­na­tive was board­ing or off-reser­va­tion schools. Although count­less books and doc­u­men­taries describe the board­ing school sys­tem, rel­a­tive­ly lit­tle is known about how the chil­dren them­selves felt about their new envi­ron­ment, their dai­ly chores and school rou­tines. Kru­pat reme­dies this short­com­ing by plac­ing excerpts of those board­ing school nar­ra­tives in the appro­pri­ate cul­tur­al and his­tor­i­cal context.

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Educated: A Memoir by Tara Westover

By Sabrina Völz

As some­one who reg­u­lar­ly teach­es cre­ative non-fic­tion to uni­ver­si­ty stu­dents, I’m always look­ing for new mate­r­i­al. Ear­li­er this year, I came across a high­ly acclaimed mem­oir that last­ed thir­ty-one weeks on The New York Times best­seller list. Edu­cat­ed: A Mem­oir is writ­ten by Tara West­over, the youngest daugh­ter of Mor­mon fun­da­men­tal­ists and sur­vival­ists from a remote area of Ida­ho, near Buck’s Peak.

Westover’s father repeat­ed­ly preached that the end of the world was immi­nent and that the right to exist with­out inter­fer­ence from the gov­ern­ment took prece­dence over all oth­er per­son­al needs. Self-suf­fi­cien­cy from his point of view meant life with­out any for­mal edu­ca­tion and health care. As a child, West­over was taught to obey, not to ques­tion. And when tragedy struck – which was often brought upon by the patriarch’s poor judg­ment – father still knew best. Fam­i­ly life was marked by dan­ger­ous, hard phys­i­cal labor, pover­ty as well as the con­stant stock­pil­ing of sup­plies, be they canned food or sur­vival­ist gear. Para­noid that the gov­ern­ment would some­how inter­vene, the fam­i­ly was pre­pared to defend their way of life by any means necessary.

Keen­ly aware of her sur­round­ings, West­over noticed – already at the age of sev­en – that her fam­i­ly was dif­fer­ent. Before enter­ing col­lege at the age of sev­en­teen, the young woman had nev­er set foot in a pub­lic school. Her edu­ca­tion was large­ly lim­it­ed to the Book of Mor­mon and Mor­mon doc­trine. One day, when West­over men­tioned that she want­ed to go to school, her father quick­ly rebuked her: “In this fam­i­ly […] we obey the com­mand­ments of the Lord.” And that was that. So how was Tara West­over able to gain uni­ver­si­ty admis­sion and lat­er earn her doc­tor­ate? Let’s just say her path was filled with numer­ous obsta­cles, the great­est of which was her own guilt and shame. Read more »

Two Sides to Every Story – The Affair (2014–19)

By Kai-Arne Zimny

Have you ever talked about a past event with some­one who was involved in it and came to a point where you and that some­one didn’t quite agree on how, where, or even if some­thing had hap­pened? This can be amus­ing or awful, but it sure­ly makes us pon­der about truth, per­cep­tion, and the rela­tion­ship between the two.

And so does Showtime’s TV dra­ma series, The Affair.

The pilot episode starts in medias res with a police detec­tive (Vic­tor Williams) inter­ro­gat­ing our male pro­tag­o­nist, the teacher and semi-suc­cess­ful nov­el­ist, Noah Sol­loway (Dominic West). The detec­tive wants to know “how this whole mess got start­ed.” This is when it dawns on us that what we’re see­ing isn’t what’s hap­pen­ing right now. It’s mere­ly Noah’s rec­ol­lec­tion of what has hap­pened. Through Noah’s lens of mem­o­ry, we learn that at the begin­ning of the sto­ry he’s hap­pi­ly mar­ried (with 4 kids) to Helen (Mau­ra Tier­ney), his high school sweet­heart. Dur­ing their sum­mer vaca­tion in Mon­tauk (Long Island, New York), their lives change rad­i­cal­ly when Noah meets Ali­son Lock­hart (Ruth Wil­son). It is from her per­spec­tive that the sec­ond half of the episode is told. Ali­son is a wait­ress and unhap­pi­ly mar­ried to Cole (Joshua Jack­son). They’ve nev­er real­ly seemed to get over the death of their tod­dler who’d died in an acci­dent not long ago. As soon as she and Noah are on the screen togeth­er, we real­ize how this whole mess got started.

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BlacKkKlansman: A Much Too American Story

By Bobbie Kirkhart

It is an inter­est­ing sit­u­a­tion: a black cop infil­trates the Ku Klux Klan, the most sto­ried white suprema­cist group in the Unit­ed States. How could this new under­cov­er offi­cer resist the temp­ta­tion? How could he get past the one main obsta­cle: his blackness?

It is an inter­est­ing plot: a white cop play­ing a black cop, two peo­ple pos­ing as one voice and one per­son­al­i­ty, but one black and one white. How could a film­mak­er resist the temp­ta­tion? How could he get past the one main obsta­cle: that the Klan was a tired old group in the ear­ly 1970s and an ane­mic antag­o­nist. The book, Black Klans­man: A Mem­oir by Ron Stall­worth, is inter­est­ing – but is the movie?

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“When you spot your flower, you can’t let anything get in your way”: Adaptation (2002)

By Kai-Arne Zimny

Adap­ta­tion is an oldie but good­ie with an excel­lent cast of char­ac­ters. Screen­writer Char­lie Kauf­man (Nico­las Cage) is sup­posed to write a movie adap­ta­tion of Susan Orlean’s (Meryl Streep) non-fic­tion book, The Orchid Thief. The empha­sis is on ‘sup­posed to’ because he doesn’t.

We accom­pa­ny Char­lie try­ing to over­come his severe writer’s block by pur­su­ing his work with­out a plan. In the process, we wit­ness his soul-crush­ing ram­pages of self-loathing, short moments of seem­ing progress, and trag­i­cal­ly unful­filled desires. All the while, Charlie’s much more light­heart­ed twin broth­er Don­ald (Nico­las Cage in a dou­ble role) naive­ly pur­sues his own screen­play endeav­ors. Also, the audi­ence dives into the book along with Char­lie and get a glimpse into the life of orchid thief and breed­er John Laroche (Chris Coop­er). Ini­tial­ly, the film is noth­ing but bizarre; how­ev­er, grad­u­al­ly it becomes inspir­ing and holds quite a few sur­pris­es for unsus­pect­ing viewers.
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Living by the Watch: Stranger Than Fiction

By Kai-Arne Zimny

Pho­to Cred­it: miracc

Yes, ok. So the film is twelve years old? It’s fun­ny and clever, and it fea­tures some of the best actors and actress­es Hol­ly­wood has to offer. (How often do you get to see Emma Thomp­son, Dustin Hoff­man, Mag­gie Gyl­len­hal, and Queen Lat­i­fah in one sin­gle movie?) In short: Stranger Than Fic­tion is a clas­sic. Unfor­tu­nate­ly, it’s a clas­sic not many peo­ple know. Well, we’re going to change this now.

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