Teaching Tools

Tips, Tricks, and Tools of the Trade

Every Story Tells a Picture or How to Vignette

By Maryann Henck

Angelia Velosa & Cristo­pher Gomez, Door 95 in the Rua San­ta Maria — The arT of oPEn doORs/Projecto aRTe pORtes abEr­tas, Fun­chal, Madeira; Pho­to cred­it: Maryann Henck

In the age of social media, it’s the image that rules. Insta­gram is the per­fect exam­ple: It not only feeds some people’s insa­tiable need to doc­u­ment and offer glimpses into their pri­vate lives but also caters to a cer­tain audience’s desire to con­sume and expe­ri­ence these slices of life vic­ar­i­ous­ly. Insta­gram refers to the images post­ed as “sto­ries,” a des­ig­na­tion that fits in per­fect­ly with the proverb: Every pic­ture tells a sto­ry. And sto­ries are almost always subject(ed) to inter­pre­ta­tion. In the case of these Insta­gram pic­ture sto­ries, often the only clue is a brief cap­tion or hashtag.

But what if the focus were to be shift­ed and that proverb were to be reversed? Read more »

Improving Robert Frost’s poem, “Stopping by Woods on a Snowy Evening”

By Maria Moss

f course the title is face­tious: I cer­tain­ly don’t want to – even if I could, which I can’t – improve one of the best and most anthol­o­gized poems in the Eng­lish lan­guage writ­ten by one of the great­est lyri­cal voic­es of all times. What I ‘do’ want to do, how­ev­er, is write about a teach­ing tool that ini­tial­ly sends shiv­ers up every student’s back: con­tin­u­ing a poem, using the same rhyme scheme and meter. Once they’ve mas­tered the task, how­ev­er, they’re quite proud of them­selves – and right­ful­ly so.
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Elsewhere: From Interview to Podcast

By Sabrina Völz

“Else­where” by Cas­sidy Coy

It’s nev­er too ear­ly to think about the next semes­ter. Per­haps you and your stu­dents would like to try your hand at pod­cast­ing. I have to admit that the first time around has its ups and downs, but after that it gets eas­i­er. Wiebke Fis­ch­er has already blogged on her expe­ri­ences cre­at­ing and writ­ing script­ed pod­casts as a tool for learn­ing Eng­lish. Build­ing on those sug­ges­tions, my stu­dents and I have con­tin­ued to exper­i­ment with the poten­tial of pod­cast­ing. In a project sem­i­nar, Leuphana Uni­ver­si­ty stu­dents from var­i­ous majors came up with the idea to trans­form record­ed inter­views with Amer­i­can stu­dents study­ing in Lüneb­urg into 10–12 minute, theme-based pod­casts named Else­where. The first few are already online.

After many hours of research, I’ve come to the con­clu­sion that the vast major­i­ty of the most help­ful teach­ing tools for cre­at­ing pod­casts can be found online. So don’t waste your mon­ey on use­less how-to books.

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Drew Hayden Taylor at Leuphana

From Novem­ber 3 to 5, Cana­di­an Anish­nawbe author and play­wright, Drew Hay­den Tay­lor, will be giv­ing talks in var­i­ous sem­i­nars at Leuphana. Top­ics range from tools of the cre­ative writ­ing trade to the post­colo­nial sit­u­a­tion of Native peo­ple across North America.

If you hap­pen to be in the area, feel free to stop by!

 

What’s your story? In two sentences or less…

By Kai-Arne Zimny

Peo­ple love sto­ries. And appar­ent­ly, they always have. Neu­ro­sci­en­tists sug­gest our yearn­ing for sto­ries is root­ed deeply in the human brain; sup­pos­ed­ly sto­ries even help us mas­ter all kinds of life tasks, e.g. solv­ing log­ic puz­zles, con­vey­ing facts, and remem­ber­ing stuff. Sto­ries are sec­ond nature to us. Thus it seems safe to say: Peo­ple will always love – and even need – stories.

So, got a sto­ry? Yes? Well, let’s see…

Some­times we think we have a sto­ry when all we have is a vague idea. This hap­pens when we get caught up in the beau­ty of a flashy fan­ta­sy or won­drous world we’ve cre­at­ed with­out con­sid­er­ing an actu­al sto­ry that sets every­thing in motion. And now, after a long intro, let me get to the core of this sto­ry: loglines.

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Connect-the-Cards: Making Academia Exciting while Fostering Critical Thinking Skills and Meaningful Conversation

By Sabrina Völz

Ques­tion and answer. Ques­tion and answer. Ques­tion and answer. And then silence. Last­ing silence. It hap­pens to the best of us. The rou­tine of work­ing with texts can be an excru­ci­at­ing expe­ri­ence for both learn­er and instruc­tor. But it doesn’t have to be.

A while back I came across a must-do activ­i­ty that works in a vari­ety of edu­ca­tion­al set­tings from mid­dle schools to under­grad­u­ate sem­i­nars. Con­nect-the-cards may have a painful­ly dull name, but this text-based exer­cise can lead to deep learn­ing and engage stu­dents so much so that they lose track of time and leave their smart­phones in their pock­et. So if you want to know how con­nect-the-cards works, you are only one click away.

Cred­it: Based on Jeff Zwiers and Marie Crawford’s exer­cise “Connect-the-Cards”in Aca­d­e­m­ic Con­ver­sa­tions: Class­room Talk That Fos­ters Crit­i­cal Think­ing and Con­tent Under­stand­ing, Port­land: Sten­house Pub­lish­ers, 2011. 106–107.

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