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This is a (M)ad Men’s World

By Kai-Arne Zimny

mad men
Pho­to cred­it: Christi­na Sainte Marche 

1960: Don­ald Drap­er (Jon Hamm) holds a high posi­tion in a renowned New York adver­tis­ing agency, has an ex-mod­el wife he calls “Betts” (Jan­u­ary Jones), two kids, and a beau­ti­ful home. How­ev­er, that is just the out­side view of the protagonist’s life that is as mul­ti-lay­ered as the show itself. In the course of the decade-span­ning sev­en sea­sons of Mad Men (2007 – 2015), the view­er gains reveal­ing insights behind the so very appro­pri­ate facades of Don Drap­er and his fel­low (m)ad men – and one (m)ad woman. Despite Don Drap­er being the show’s cen­ter, there are sev­er­al plot lines being fol­lowed, for instance that of sec­re­tary Peg­gy Olson (Elis­a­beth Moss), who against all odds and con­ven­tions of the time aspires to a career that goes beyond wear­ing a tight dress, get­ting cof­fee, and oper­at­ing a type­writer “sim­ple enough for a woman to use. Read more »

New World vs. Old World Flipped

By Michael Lederer

As an Amer­i­can writer liv­ing in Ger­many, I care deeply for both coun­tries. It is a strange time to do so, as pow­ers-that-be in Ger­many and would-be pow­ers in the States do all they can to reverse tra­di­tion­al roles these two pow­er­hous­es have main­tained in my half-cen­tu­ry life­time and beyond. There’s a sense of ver­ti­go try­ing to recall which is the so-called old world and which is the new. Read more »

Art meets Life: An Interview with Ex-Amish Author Saloma Miller Furlong – Part II

By Sabrina Völz

bonnet stringsIn the sec­ond half of the inter­view, we turn our atten­tion to Salo­ma Miller Furlong’s Bon­net Strings: An Amish Woman’s Ties to Two World (2014), the suc­ceed­ing install­ment to her ex-Amish mem­oir Why I Left the Amish (2011). Both books depict and reflect on the strug­gles to put the past behind and embrace an unknown future. In Bon­net Strings, how­ev­er, before being able to seize the chance to find true hap­pi­ness and love in the world beyond the Amish, Fur­long feels com­pelled to return to her for­mer com­mu­ni­ty after com­ing face-to-face with a van­load of rel­a­tives and Amish com­mu­ni­ty mem­bers in Ver­mont. Once in her old sur­round­ings, she tries yet again to “wear Amish” and rec­on­cile her rebel­lious nature with the Amish mindset.

In con­trast to the auto­bi­og­ra­phy and its ‘one shot’ at a self-ref­er­en­tial non-fic­tion­al nar­ra­tive, ser­i­al mem­oir affords the writer the oppor­tu­ni­ty to revis­it some of the same mem­o­ries or reflec­tions dis­cussed in an ear­ly work from a lat­er per­spec­tive or expe­ri­ence. Bon­net Strings opens with just such commentary.

Read more »

Art meets Life: An Interview with Ex-Amish Author Saloma Miller Furlong

By Sabrina Völz

Saloma Miller FurlongSalo­ma Miller Fur­long is author of the ex-Amish ser­i­al mem­oirs, Why I Left the Amish (2011) and Bon­net Strings: An Amish Woman’s Ties to Two Worlds (2014). She has also been fea­tured on PBS Amer­i­can Expe­ri­ence doc­u­men­taries, The Amish and The Amish: Shunned. Furlong’s debut mem­oir opens with a med­i­ta­tion on death in Amish soci­ety as she strug­gles to come to terms with her own father’s pass­ing. Return­ing for the funer­al stirs up mem­o­ries of her child­hood, trou­bled teenage years, and abuse. The com­plex inter­play between age, class, gen­der, tra­di­tion, and her father’s men­tal ill­ness serve as obsta­cles to her recov­ery. After years of being pushed to the mar­gins of Amish soci­ety, the young woman hits rock bot­tom. Ulti­mate­ly, how­ev­er, she takes charge of her life and makes the impos­si­ble deci­sion to put the Amish world behind her. Why I Left the Amish is an uncom­fort­able sto­ry, but – at the same time – one of empow­er­ment. In this first seg­ment of her inter­view, Fur­long dis­cuss­es the writ­ing process as well as the heal­ing pow­er of both nature and human dia­logue. Read more »

Dust

By Christopher Rieckmann

De_dust2_Terrorist_Spawn_Zone

Dust. The first thing he noticed was the hot, dry air and the dust creep­ing through the tiny slit between his mask and pali scarf. He felt dizzy, and he didn’t know where he was, almost like wak­ing up after a long, deep dream. He stood still try­ing to calm his breath, but the heat remained unre­lent­ing. It was dark where he was. He found him­self under a shel­ter, a bridge of sorts with bright sun­light on both sides. He felt sweat run­ning from his fore­head along his mask down his nose and tast­ed the salty liq­uid on his lips. It dripped from his neck all the way down to his boots. A water­fall of sweat. He want­ed to move, get out of this heat, out of his clothes, but some­thing made him freeze. He looked down and noticed black boots, pants, a jack­et, a pro­tec­tion vest, and gloves as he van­ished into the shad­ows. Only then did he real­ize that he was not alone. Read more »

“In the Hands of Babes”

By Bobbie Kirkhart

Photo credit: Petras Gagilas
Pho­to cred­it: Petras Gag­i­las

At fam­i­ly gath­er­ings, my sis­ter likes to tell the sto­ry of a time when the men and boys in her fam­i­ly were going out tar­get shoot­ing. The sto­ry goes that – as they were leav­ing one day – her sec­ond son, pis­tol in hand, turned around, expos­ing each fam­i­ly mem­ber, one at a time, to the risk of being shot. “What she doesn’t tell,” my nephew says, “is that I was eight years old at the time.”

My sister’s atti­tude toward guns is not unusu­al in the Unit­ed States. We hear the phrase “respon­si­ble gun own­er­ship” a lot, even when refer­ring to children.

Acci­den­tal shoot­ings are among the top ten caus­es of death for chil­dren in the Unit­ed States. Chil­dren kill their sib­lings, them­selves, and even their par­ents. Read more »