Creativity Corner

All About the Arts

A Night in Berlin with Michael Lederer

By Grant Helle

The U.S. Embassy Lit­er­a­ture Series at the Eng­lish The­atre Berlin in coop­er­a­tion with Pal­mArt­Press pre­sent­ed Michael Led­er­er on Feb­ru­ary 11, 2014. In the fol­low­ing video, Led­er­er reads from his new nov­el Cadaqués and takes part in a dis­cus­sion with mod­er­a­tor Dr. Her­bert Grieshop. The sto­ry is set in a quaint fish­ing vil­lage along the Spanish/French bor­der and depicts the lives of a group of hard-drink­ing writ­ers and artists.

 
Michael Led­er­er is an Amer­i­can writer who lives in Berlin, Dubrovnik, and Cadaqués. His first nov­el, Cadaqués, was pub­lished in Feb­ru­ary 2014. He has just writ­ten his sec­ond nov­el, Don Quixote Sav­ing Amer­i­ca.

Number 13: Unbraiding the Short Story

By Sabrina Völz

Regard­less of the field, con­fer­ences come in all shapes and sizes. Some are for­got­ten quick­ly while oth­ers become engraved in one’s mem­o­ry. The lat­ter expe­ri­ences are some­times few and far between. The bien­ni­al Inter­na­tion­al Short Sto­ry Con­fer­ence in Eng­lish – which brings togeth­er schol­ars, writ­ers, and those in the pub­lish­ing indus­try – might just fit the bill. This year’s con­fer­ence was lucky num­ber 13 and took place in Vien­na from July 16–19.  It was a place to dis­cov­er young, tal­ent­ed voic­es, inter­act with estab­lished authors, and hear schol­ar­ly papers from col­leagues all over the globe. I espe­cial­ly appre­ci­at­ed the anthol­o­gy, Unbrad­ing the short sto­ry, which allowed con­fer­ence par­tic­i­pants to famil­iar­ize them­selves with 69 sto­ries by writ­ers-in-res­i­dence (ISBN: 13: 978–1497593992). This helped immensly with the selec­tion of pan­els. Apart from lis­ten­ing to pan­el dis­cus­sions, doing inter­views, and par­tic­i­pat­ing in cre­ative writ­ing work­shops with authors, for me, it was again a place to renew my first love: the short story.

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Creative Writing Contest for Non-Native Speakers

By Daria Radler

When I entered a cre­ative writ­ing con­test for non-native speak­ers of Eng­lish, the 2014 Dani­il Pashkoff Prize, I nev­er imag­ined I would win 3rd prize in the cat­e­go­ry for “Prose — 20 and Over.” Par­tic­i­pat­ing in this con­test has been an intrigu­ing and chal­leng­ing expe­ri­ence that has helped me to grow on a lit­er­ary as well as on a per­son­al lev­el – an expe­ri­ence that I would rec­om­mend to any lit­er­ary enthu­si­ast out there. The next prize will be award­ed in two years: A new con­test, a new oppor­tu­ni­ty to become part of an inspir­ing and cre­ative lit­er­ary cir­cle, and a new expe­ri­ence of cre­ative sto­ry writ­ing that I wouldn’t want to miss.

PortraitMy short sto­ry “Coloured Des­per­a­tion” tells of the strug­gles that a young moth­er expe­ri­ences in the trou­bled rela­tion­ship with her autis­tic son. Torn between her desire for a peace­ful state of mind, her yearn­ing for a bet­ter life, and her respon­si­bil­i­ties as a car­ing moth­er, Lib­by is con­front­ed with every­day chal­lenges and a sit­u­a­tion that might turn out to be the turn­ing point in her life.

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