Creativity Corner

All About the Arts

Live Long and Make Bannock

By Drew Hayden Taylor

DrewHaydenTaylor

A mil­lion years ago when I was a child, I was always fas­ci­nat­ed by what could be. I think this was pri­mar­i­ly because I was sur­round­ed by what was. As a Native per­son, I was con­stant­ly made aware of our her­itage, our cul­ture, every­thing from the past that made us unique and spe­cial. Also I was con­scious of the fact that – tech­no­log­i­cal­ly speak­ing – we were at a bit of a dis­ad­van­tage to those who showed up one day for din­ner and nev­er left. I remem­ber the first time I saw tele­vi­sion, played with a com­put­er, watched Star Trek, and got an elec­tric tooth­brush. Darn clever those White peo­ple. Native peo­ple con­stant­ly won­der at the clever inno­va­tions and devices the dom­i­nant cul­ture feels the need to cre­ate – every­thing from vibra­tors to nuclear bombs.  Read more »

Inquisitive Minds Want to Know: A Mixed Bag of Questions for Ira Wagler – Part II

By Sabrina Völz

If you missed the pre­vi­ous blog, then click here. Last week, we left off with Ira Wagler talk­ing about the dif­fi­cul­ty of writ­ing Grow­ing Up Amish. In the fol­low­ing video, he con­tin­ues in the same vein with the tricky top­ics of guilt, recep­tion of his book, and the chal­lenge of find­ing the right title, just to name a few. With­out fur­ther ado, the Amer­i­can Stud­ies Blog now brings you Part II.

Please acti­vate javascript to watch the video
https://www.youtube.com/watch?v=FPT_IQS1F8s

Still have ques­tions? Then why not get a copy of Ira Wagler’s book, explore the lead­ing web­site on Amish stud­ies, or join the Amish schol­ars, pro­fes­sion­als, and edu­ca­tors at the inter­na­tion­al con­fer­ence, “Con­ti­nu­ity and Change: 50 Years of Amish Soci­ety” host­ed by the Young Cen­ter for Anabap­tist and Pietist Stud­ies at Eliz­a­beth­town Col­lege in Penn­syl­va­nia from June 9–11, 2016?

Inquisitive Minds Want to Know: A Mixed Bag of Questions for Ira Wagler – Part I

By Sabrina Völz

Ques­tions. Ques­tions. There are always ques­tions, espe­cial­ly when deal­ing with the Old Order Amish. And ques­tions there were – plen­ty of ques­tions – fol­low­ing The New York Times best-sell­ing author Ira Wagler’s talk at the Plain Peo­ple Con­fer­ence at Leuphana Uni­ver­si­ty. In fact, the Q&A ran slight­ly longer than his intro­duc­to­ry remarks to Grow­ing Up Amish. Of course, this real­ly shouldn’t be sur­pris­ing since Wagler has a unique way of con­nect­ing with his audi­ence, an audi­ence on this par­tic­u­lar swel­ter­ing evening made up of schol­ars, stu­dents, upper-sec­ondary Eng­lish teach­ers, and res­i­dents of Lüneb­urg. Reflect­ing the diver­si­ty of that delight­ful audi­ence, the ques­tions dealt with every­thing from trau­ma to the Penn­syl­va­nia Dutch. So, if you are Ira Wagler’s fan, an avid Amer­i­can Stud­ies Blog read­er, or a stu­dent try­ing to pep up your pre­sen­ta­tion on the Amish, you can be sure to find ample food for thought.

Please acti­vate javascript to watch the video
https://www.youtube.com/watch?v=LGiBqOftkSk

Wish­ing for more? Then tune in next week for Part II.

“Art comes out of desire in the face of indifference”: An Interview with lê thi diem thúy

By Maryann Henck, Maria Moss, and Sab­ri­na Völz

lê thi diem thúy at Leuphana University in May 2015
lê thi diem thúy at Leuphana Uni­ver­si­ty in May 2015

When lê thi diem thúy (pro­nounced “twee”) vis­it­ed Leuphana Uni­ver­si­ty this past May, not only did our stu­dents have the oppor­tu­ni­ty to attend her read­ing and talk, the three of us also had the plea­sure of inter­view­ing her. lê thi diem thúy is the author of the high­ly acclaimed nov­el, The Gang­ster We Are All Look­ing For, but pri­mar­i­ly sees her­self as a poet. If you’re look­ing for some cre­ative inspi­ra­tion to start off the new year, take a peek at the interview.

ASB: When did you first decide to become a writer?

thúy: It was nev­er decid­ed that I would become a writer. What I want­ed, ever since I was a child and first learned to read, was to be with words. Read­ing was both a chal­lenge and a con­so­la­tion, sto­ries were worlds I could enter, and from a young age I under­stood that words some­how sum­moned worlds.  At first I only want­ed to be trans­port­ed as a read­er. Per­haps I became a writer when I real­ized that I, too, car­ried worlds with­in myself, and words were the key to unlock those worlds and release peo­ple, places, moments, ques­tions, desires.  Read more »

Reversing the Gaze
– Injun Joe Meets Esperanza

By Sassetta Harford

I wrote this piece for a sem­i­nar called “Revers­ing the Gaze.” The idea was to write about dif­fer­ence and the chal­leng­ing of stereo­types, so I tried to incor­po­rate as many gazes as possible.

The char­ac­ters were cho­sen for their ambi­gu­i­ty. After our dis­cus­sions in class, Injun Joe seemed to be the per­fect anti-hero instead of a com­mon vil­lain with a racial slur. Esper­an­za – with her iden­ti­ty strug­gle con­cern­ing eth­nic issues, gen­der iden­ti­ty, social sta­tus, and her hints at the decon­struc­tion of stereo­typ­i­cal gen­der roles – was a char­ac­ter that I felt I could iden­ti­fy with.

Injun Joe
Ted Cas­sidy as Injun Joe in The New Adven­tures of Huck­le­ber­ry Finn (1969) | Pho­to cred­it: NBC tele­vi­sion (Pub­lic domain), via Wiki­me­dia Commons

The notion of being nei­ther here nor there, being in-between cul­tur­al­ly, is some­thing that I can relate to while rec­og­niz­ing what a priv­i­leged posi­tion this can be when one is not sub­ject­ed to dis­crim­i­na­tion. The numer­ous bor­ders the char­ac­ters have had to face are rem­i­nis­cent of fences around reser­va­tions or the bru­tal­i­ty of the Mex­i­can-Amer­i­can bor­der. More specif­i­cal­ly, it is about what hap­pens years, maybe decades, lat­er when the ances­tors have long crossed the bor­der, but the indi­vid­ual is still con­front­ed with divid­ing lines and is forced to make deci­sions as well as cre­ate his/her own iden­ti­ty, which is always cul­tur­al and political.

 

 

Amer­i­cana

By Sas­set­ta Harford

I guess it’s kind of fun­ny, what with polit­i­cal cor­rect­ness and all. They just can’t seem to get it right when it comes to peo­ple like me. Half-breed, that’s what they used to call us, like a dirty mon­grel piss­ing on their white pick­et fence. Pre­cise­ly that makes me an Amer­i­can, more Amer­i­can even than George Bush or Wash­ing­ton him­self, and cer­tain­ly more Amer­i­can than their pre­cious Jesus.

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“Music is the axe for the
frozen sea within us”

By Benedikt Fleischer

Melody_GardotThe Amer­i­can jazz queen, Melody Gar­dot, is still eager to explore the world around her, but her focus has changed and been nar­rowed down to her own coun­try. Her fourth album, Cur­ren­cy of Man, fea­tures social com­men­tary on Amer­i­can soci­ety – a com­men­tary wrapped in a bluesy ana­log sound with warm soul and gospel influ­ences and lots of horns, a com­men­tary that has nev­er seemed to have more cur­ren­cy than now.

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