Creativity Corner

All About the Arts

An Interview with Award-Winning Author Jayne Anne Phillips

By Sabrina Völz

Pho­to cred­it: Ele­na Seibert

After par­tic­i­pat­ing in an inspir­ing writ­ing work­shop with Jayne Anne Phillips as part of The 15th Inter­na­tion­al Con­fer­ence on the Short Sto­ry in Eng­lish in Lis­bon this past June, Jayne Anne kind­ly agreed to answer a few ques­tions for the ASB. The result­ing email inter­view gives our read­ers a glimpse into the many roles that Jayne Anne plays and her take on cre­ative writ­ing in a post-lit­er­ate society.

 

Sab­ri­na: Please use three adjec­tives to describe yourself.

Jayne Anne: Three words: these might change day to day, but today I’d say: Deter­mined. Ques­tion­ing. Hyper-sen­so­ry aware.

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Thoughts of a Digital Alternative

By Maria Moss

Since tomor­row is the Nation­al Day of Unplug­ging, we thought it only made sense to relaunch the “Thoughts of a Dig­i­tal Alternative.” Here’s our advice: Use your phone today and “tell a friend.” If you still need assis­tance, down­load the unplug­ging kit: www.nationaldayofunplugging.com.

 

Pho­to cred­it: Mike Mozart on Flickr

Believe it or not, I’ve nev­er owned a cell phone. This sen­tence com­ing from a tod­dler might not be that astound­ing, but com­ing from a mid­dle-aged woman who tremen­dous­ly enjoys the com­pa­ny of friends, col­leagues, and stu­dents, is rather sur­pris­ing. Why wouldn’t any­one – with the excep­tion of her­mits and strict tech­no refuseniks – want to enjoy being and stay­ing in touch all the time. Well, maybe it is exact­ly the “all the time” that I find dis­turb­ing. Of course, peo­ple tell me that you could just turn your phone off, that you don’t need to be online con­tin­u­ous­ly, that it’s o.k. to be unavail­able at times. And appar­ent­ly, I’m not alone.
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So, You Wanna Be a Writer?!? Beginnings, Endings, and Everything in Between – An Interview with Drew Hayden Taylor

By Maryann Henck

Pho­to Cred­it: Suzanne Carroll

Per­haps you’ve toyed with the idea of becom­ing a pro­fes­sion­al writer, or you sim­ply want to indulge in flights of fan­cy that you lat­er com­mit to paper. Whether you turn your pas­sion into your pro­fes­sion or rekin­dle the embers of that pas­sion every now and then, there’s always some­thing to learn from vet­er­an writ­ers. Since one of my pas­sions is improv, I asked Anish­nawbe writer Drew Hay­den Tay­lor if he’d mind doing an improv inter­view with me. As some­one who is used to script­ing his char­ac­ters’ respons­es, Drew was skep­ti­cal at first but warmed up to the inter­view in no time. Dur­ing our Skype call, I sent him 10 rapid-fire ques­tions one by one, which he, in turn, had to answer off the cuff. The result is a writer’s unadul­ter­at­ed low­down on writ­ing. Read more »

Music to Last a Lifetime: The Reissue of The White Album

By Markus Ziener

It was East­er Sun­day 1969 and I was a boy. My par­ents had staged an East­er egg hunt in our gar­den, and I was search­ing beneath a cher­ry tree, inside the dog’s ken­nel, and even­tu­al­ly also in our tiny grove of lilacs. And that’s where I found it, cov­ered with branch­es and leaves: a sin­gle record in a black sleeve. The cen­ter of the sleeve read “Ob-la-di, Ob-la-da” by The Bea­t­les. I rushed into the house, turned the record play­er to 45 rpm, and put it on. I must have lis­tened to the song a dozen times. Then, final­ly, I turned the record over and tried the B‑side. That was the moment they had me. I fell in love with The Beatles.

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In a World Created by an Indigenous God: A Native Writer’s Take on Karl May’s Winnetou

By Maryann Henck

Pho­to Cred­it: Robert Fantinatto

It goes with­out say­ing that the Ger­mans’ unri­valled fas­ci­na­tion with the Native peo­ple of North Amer­i­ca is not exact­ly a well-kept secret. Case in point: the annu­al Karl May Fes­ti­vals in Bad Sege­berg and Elspe. But I’ve always won­dered whether this fas­ci­na­tion might be mutu­al. Spoil­er alert: It is.

In 2017, Anish­nawbe writer Drew Hay­den Tay­lor set out in search of Win­netou. What he found ranged from the amus­ing to the unset­tling. In oth­er words, the per­fect mate­r­i­al for his doc­u­men­tary film, Search­ing for Win­netou, where the fine line between appro­pri­a­tion and appre­ci­a­tion becomes a bit blurred. Curi­ous about the mak­ing of? Then click on our exclu­sive inter­view with the writer. Read more »

Erich Mühsam and the Berlin Idea Factory

By Michael Lederer

Erich Müh­sam (1878–1934) was a Ger­man-Jew­ish anti­mil­i­tarist anar­chist essay­ist, poet, and play­wright. I can check most of those box­es. I tried anar­chy in my 20s; it didn’t fit. And while my mater­nal grand­par­ents were Ger­man, I start­ed life in New Jersey.

Since 2003, I have main­tained my writ­ing office, research library, and a small per­for­mance space in the same build­ing in Berlin where Müh­sam worked and lived with his wife Zen­zl. Alt-Liet­zow 12. There is a plaque ded­i­cat­ed to Müh­sam beneath my win­dow. His spir­it is every­where here. He sat where I sit. Climbed the steps I climb. Feared what I fear.

The author Michael Led­er­er look­ing out of Erich Mühsam’s old win­dow pho­to cred­it: Kata­ri­na Lederer

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