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In a World Created by an Indigenous God: A Native Writer’s Take on Karl May’s Winnetou

By Maryann Henck

Pho­to Cred­it: Robert Fantinatto

It goes with­out say­ing that the Ger­mans’ unri­valled fas­ci­na­tion with the Native peo­ple of North Amer­i­ca is not exact­ly a well-kept secret. Case in point: the annu­al Karl May Fes­ti­vals in Bad Sege­berg and Elspe. But I’ve always won­dered whether this fas­ci­na­tion might be mutu­al. Spoil­er alert: It is.

In 2017, Anish­nawbe writer Drew Hay­den Tay­lor set out in search of Win­netou. What he found ranged from the amus­ing to the unset­tling. In oth­er words, the per­fect mate­r­i­al for his doc­u­men­tary film, Search­ing for Win­netou, where the fine line between appro­pri­a­tion and appre­ci­a­tion becomes a bit blurred. Curi­ous about the mak­ing of? Then click on our exclu­sive inter­view with the writer. Read more »

Aretha Franklin: Freedom, Respect, and the Moral Universe

By Christine Jones

Pow­er­ful and proud, Aretha Franklin’s music cham­pi­oned the ideas of free­dom and dig­ni­ty, mak­ing her voice an inte­gral part of the Civ­il Rights Move­ment in the Unit­ed States with songs like “Respect” (1967) and “Think” (1968). When I hear the word “free­dom” sung repeat­ed­ly in the cho­rus of “Think,” I’m remind­ed of Dr. Mar­tin Luther King Jr.’s icon­ic “I Have a Dream” speech on the steps of the Lin­coln Memo­r­i­al in 1963, where he etched the words “Free At Last” into the vocab­u­lary of the Civ­il Rights Move­ment. The song, “Respect”, unwa­ver­ing­ly and unapolo­get­i­cal­ly demands just that and trans­lates effort­less­ly into a voice for the fem­i­nist move­ment of the time. I was a child in that era, born in 1960, and the mes­sages expressed by voic­es like Aretha Franklin’s have left an indeli­ble imprint on me and many in my gen­er­a­tion. Those voic­es made me feel that, as Mar­tin Luther King put it, “the arc of the moral uni­verse is long, but it bends towards jus­tice.” They made me feel that the Unit­ed States was a place of social progress despite its struggles.

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BlacKkKlansman: A Much Too American Story

By Bobbie Kirkhart

It is an inter­est­ing sit­u­a­tion: a black cop infil­trates the Ku Klux Klan, the most sto­ried white suprema­cist group in the Unit­ed States. How could this new under­cov­er offi­cer resist the temp­ta­tion? How could he get past the one main obsta­cle: his blackness?

It is an inter­est­ing plot: a white cop play­ing a black cop, two peo­ple pos­ing as one voice and one per­son­al­i­ty, but one black and one white. How could a film­mak­er resist the temp­ta­tion? How could he get past the one main obsta­cle: that the Klan was a tired old group in the ear­ly 1970s and an ane­mic antag­o­nist. The book, Black Klans­man: A Mem­oir by Ron Stall­worth, is inter­est­ing – but is the movie?

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What’s your story? In two sentences or less…

By Kai-Arne Zimny

Peo­ple love sto­ries. And appar­ent­ly, they always have. Neu­ro­sci­en­tists sug­gest our yearn­ing for sto­ries is root­ed deeply in the human brain; sup­pos­ed­ly sto­ries even help us mas­ter all kinds of life tasks, e.g. solv­ing log­ic puz­zles, con­vey­ing facts, and remem­ber­ing stuff. Sto­ries are sec­ond nature to us. Thus it seems safe to say: Peo­ple will always love – and even need – stories.

So, got a sto­ry? Yes? Well, let’s see…

Some­times we think we have a sto­ry when all we have is a vague idea. This hap­pens when we get caught up in the beau­ty of a flashy fan­ta­sy or won­drous world we’ve cre­at­ed with­out con­sid­er­ing an actu­al sto­ry that sets every­thing in motion. And now, after a long intro, let me get to the core of this sto­ry: loglines.

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National Comedy Center – It’s on THE Map!

By Sabrina Völz

When I start­ed out as a teach­ing assis­tant at Syra­cuse Uni­ver­si­ty at the ripe old age of twen­ty, I instinc­tive­ly knew I should get to know my stu­dents bet­ter. The obvi­ous way to do that was to make small talk before or after class. My ques­tions were noth­ing too per­son­al or spe­cial, but the answers to one ques­tion puz­zled me. “Well, what are you doing this week­end?” The respons­es var­ied, but they all had some­thing in com­mon: “Going to THE bas­ket­ball game,” “Going to THE lake,” “Going to THE City” Okay. The first two were obvi­ous. Bas­ket­ball meant Syra­cuse University’s finest. THE lake meant Ononda­ga Lake, after all it was the clos­est one. But THE city? As if there is no oth­er. Where, for cry­ing out loud, is THE city? “Going to the City?” I asked meek­ly. “Yes, going to the City. You know, THE City.”

I felt like I was in the mid­dle of a Lau­rel and Hardy rou­tine. No, I real­ly didn’t know. So I had to muster up a large dose of courage. After all, some of the stu­dents were actu­al­ly old­er than me, and I, the new T.A. and grad­u­ate stu­dent from Iowa, obvi­ous­ly didn’t want to look stu­pid. After an excru­ci­at­ing­ly long minute of silence passed, I final­ly spit out my ques­tion. Try­ing to keep a straight face, my stu­dent respond­ed in slow motion, over enun­ci­at­ing his words: “New York City.”

Right then and there, I learned an impor­tant les­son: For most New York­ers, there was, is, and nev­er will be anoth­er city besides the Big Apple. Well, at least until now. Move over N.Y.C! Jamestown, N.Y., is on THE map. So what does Jamestown, a city with a pop­u­la­tion of rough­ly 30,000, have that THE City doesn’t? It has THE Nation­al Com­e­dy Cen­ter.

pho­to cred­it: Steve Neilan

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Outhouse Races, Chocolate-Covered Deep Fried Cheesecake, and the Butter What? Nothing Compares to the Iowa State Fair

By Sabrina Völz

Cred­it “Iowa State Fair – Day 2” by Phil Roeder

When tourists from all over the world plan their vaca­tions to the Unit­ed States, they often stick to tried and true places to vis­it: Nation­al parks, Dis­ney attrac­tions, beach­es, mon­u­ments, out­let malls, and muse­ums. While they cer­tain­ly are wor­thy places to vis­it, they won’t bring vis­i­tors clos­er to the peo­ple, con­tem­po­rary cul­ture, and every­day life in Amer­i­ca like a good ole state fair. As an Iowan, I may be some­what biased, but I whole­heart­ed­ly agree: “Noth­ing Com­pares to the Iowa State Fair” (this year’s motto).

Although the Iowa State Fair is not the old­est – that hon­or goes to the New York State Fair first held in Syra­cuse in 1841 – it is one of the best state fairs in the nation and places in the top 10 of most rank­ings. The Iowa State Fair, locat­ed right in the mid­dle of the heart­land, has been in oper­a­tion con­tin­u­al­ly since 1854 except for a time dur­ing WWII. The first vis­i­tors trav­elled by cov­ered wag­on to the large­ly agri­cul­tur­al show­case held in Fair­field which includ­ed spec­tac­u­lar exhibits and enter­tain­ment, such as “female eques­tri­an­ism” oth­er­wise known as female horse­back rid­ing. The Fair is five years old­er than the state, which became the 29th state in the Union on Decem­ber 28, 1846. Iowans like to point out that Rodgers and Hammerstein’s musi­cal, State Fair (1933), was inspired by their fair. Today, it draws over 1.1 mil­lion vis­i­tors from all over the world to its per­ma­nent fair­grounds in Des Moines each year. So now that you know the basic facts, let the fun begin.

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