“My feets is tired, but my soul is rested” — A Meditation on International Women’s Day

By Sabrina Völz

“Mom­my, mom­my. The oth­er moth­ers are all unem­ployed,” were the first words out of my son’s mouth as he dart­ed toward our car. Not exact­ly the kind of state­ment some­one might expect from a 6‑year-old dur­ing his first week of school. Beam­ing from ear to ear, I imme­di­ate­ly cleared up the lit­tle mis­un­der­stand­ing, but I real­ized that for him it was com­plete­ly nor­mal to have a work­ing moth­er. Nor­mal. His words were music to my ears and played over and over in my head. I imag­ined what a good hus­band, col­league, and boss he might become know­ing that sim­ple truth. How­ev­er, being a full-time work­ing moth­er has not always been nor­mal, not even in the 21st century.

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Wild

By Christiane Steckenbiller

Walk­ing 1,100 miles in one con­sec­u­tive hike with a heavy back­pack – real­ly heavy, so heavy that you can hard­ly stand, let alone walk – might not seem like the most intrigu­ing activ­i­ty to most peo­ple. But for some­one like me liv­ing in Col­orado, a state con­sis­tent­ly viewed as one of the most active ones in the coun­try, this sce­nario hits very close to home. The Col­orado Trail, for instance, is a 486-mile hike (one way!) that runs from Den­ver to Duran­go. Peo­ple hike it. And they block off four to six weeks of their vaca­tion time to do it.

Cheryl Strayed had to take more time off than that to hike the much longer Pacif­ic Crest Trail. Known as the PCT, the trail runs from South­ern Cal­i­for­nia to British Colum­bia along the North Amer­i­can West Coast over the Sier­ra Neva­da and Cas­cade moun­tain ranges. Strayed wrote about her trek in her 2012 mem­oir, Wild: From Lost to Found on the Pacif­ic Crest Trail, that topped The New York Times best­seller list and hit Amer­i­can movie the­aters this win­ter. Direct­ed by the Cana­di­an Jean-Marc Val­lée (Dal­las Buy­ers Club), with a screen­play by Eng­lish writer Nick Horn­by (High Fideli­tyAbout a Boy), the film fit­ting­ly pre­miered at the Tel­luride Film Fes­ti­val in Col­orado. Reese With­er­spoon por­trays Strayed in a role that has gar­nered her anoth­er Acad­e­my Award nomination.

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A Reading with Teju Cole

photo credit: Teju Cole
pho­to cred­it: Teju Cole

Amer­i­can writer Teju Cole reads from his nov­el, Open City (2011) at the U.S. Embassy in Berlin. In this award-win­ning first-per­son nar­ra­tive, Cole recounts the sto­ry of a Niger­ian-Ger­man psy­chi­a­trist in New York who – in best flâneur fash­ion – strolls the streets of Man­hat­tan. In the course of his walk­ing med­i­ta­tions, his pro­tag­o­nist reveals both his own sense of loss and the strug­gles of a nation try­ing to regain a sense of direc­tion after the trau­ma of 9/11.
Open City is Teju Cole’s sec­ond nov­el; his first, Every Day Is for the Thief, was until now avail­able only in Nige­ria, where it was pub­lished in 2007. Teju Cole will be a res­i­dent at the “Lit­er­arisches Col­lo­qui­um Berlin” (LCB) this spring and give sev­er­al read­ings through­out Gemany. Dates will be pub­lished on the Amer­i­can Stud­ies Jour­nal Face­book site soon.

 

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The Butler

By Maike Newman

It’s Feb­ru­ary, African Amer­i­can His­to­ry Month in the U.S. So let’s look at a fab­u­lous film that depicts a young black man and his pow­er­ful, but emo­tion­al strug­gle from a share­crop­per on a cot­ton farm to an invis­i­ble but­ler in the White House who lives by the max­im: “You see noth­ing, you hear noth­ing: you only serve.”

Butler
View­ers will soon come to real­ize that all they have ever dealt with in school his­to­ry lessons con­cern­ing slav­ery and the Civ­il Rights move­ment in the Unit­ed States hard­ly revealed the true tor­ments of African Amer­i­cans. So now get ready to embark upon a tru­ly thought-pro­vok­ing time travel.

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RAGBRAI: Take the Ride of Your Life

By Sabrina Völz

For those of you who missed it, the 2013 con­fer­ence theme of the Amer­i­can Stud­ies Asso­ci­a­tion of Ger­many held in Erlan­gen was “Rur­al Amer­i­ca.” As some­one from Iowa, I thought I might be the only one attend­ing. Luck­i­ly I wasn’t, and lucky for you there is so much more to say about such a hot top­ic: hot as in chili pow­der, the kind used in authen­tic Mex­i­can restau­rants pop­ping up all over Iowa, and hot as in a sun­ny, humid August after­noon. Oh, there’s no place like home.

XLIII_Tractor_fullcolor
“RAGBRAI is a reg­is­tered trade­mark of and licensed by The Des Moines Reg­is­ter and Tri­bune Com­pa­ny. All rights reserved.”

If you don’t know where Iowa is, you are, unfor­tu­nate­ly, not alone. Many peo­ple con­fuse our state with Ida­ho. In fact, my favorite bumper stick­er reads: “Iowa—And, no, we don’t grow pota­toes.” So, yes, we Iowans do have a bit of pub­lic rela­tions to do. Besides, some of you might be plan­ning a vaca­tion or class trip to the U.S. and might want to con­sid­er a new des­ti­na­tion. Why go to Cal­i­for­nia, New York, or Flori­da like every­one else? Dare to be dif­fer­ent, and you just might have fun in the process. Iowa and fun are def­i­nite­ly not mutu­al­ly exclusive.

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Couch Conversations with William H. New — An Impromptu Interview

By Maryann Henck

CHARACTERS

WILLIAM H. NEW   renowned Cana­di­an lit crit and author (as himself)

INTERVIEWER 1      Sab­ri­na Völz

INTERVIEWER 2      Maria Moss

INTERVIEWER 3      Maryann Henck

 

UNIVERSITY LOBBY—SUMMER—DAY TIME

It’s a hot and humid July after­noon as the mid­day sun floods the win­dows of the lob­by, but all is freez­ing cold inside thanks to a ful­ly func­tion­ing air-con­di­tion­ing sys­tem at the 13th Inter­na­tion­al Con­fer­ence on the Short Sto­ry in Eng­lish at the Uni­ver­si­ty of Vien­na. The three inter­view­ers have just left a win­dow­less and chilly lec­ture hall where William H. New gave a simul­ta­ne­ous­ly aca­d­e­m­ic and cre­ative pre­sen­ta­tion that ignit­ed the audience’s imag­i­na­tion. (And, no, it is not an oxy­moron to be a “cre­ative aca­d­e­m­ic.” More about that in the inter­view.) Intrigued by William’s talk, the three inter­view­ers per­suade him to give them an impromp­tu inter­view on the lob­by couch. Dur­ing the cof­fee break between ses­sions, con­fer­ence par­tic­i­pants are milling about, des­per­ate­ly in search of a much need­ed caf­feine jolt and some cook­ies to tide them over until lunch break. Every now and then, cacoph­o­nous cof­fee machines and chat­ter­ing con­fer­ence goers can be heard in the background.

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