Special Events You Won’t Want to Miss

By Maria Moss and Sabrina Völz

What do pornog­ra­phy, fake Indi­ans, the cli­mate cri­sis, and fire­fight­ers in New York City have in com­mon? Well, these are all top­ics of this season’s lec­ture series “Maple Leaf & Stars and Stripes.”
As usu­al, the lec­ture series starts out with a bang: Award-win­ning doc­u­men­tary film­mak­er and one of Canada’s lead­ing writ­ers, Drew Hay­den Tay­lor, will present his new movie, The Pre­tendi­ans. The film, which cel­e­brates its Ger­man pre­miere at Leuphana Uni­ver­si­ty Lüneb­urg, asks the ques­tion why so many peo­ple in the pub­lic eye claim Native her­itage. Tay­lor, him­self an Anish­naabe and res­i­dent of Curve Lake First Nation reserve, is mak­ing his 5th trip to Lüneburg.
And if that’s not enough, we also fea­ture Anne Nel­son, Amer­i­can jour­nal­ist, author, play­wright, and lec­tur­er at Colum­bia University’s School of Inter­na­tion­al and Pub­lic Affairs. She’ll join us via Zoom to dis­cuss her play, The Guys. Writ­ten short­ly after 9/11, it fea­tures a fire­fight­er who seeks the help of a writer to com­pose eulo­gies for his dead comrades.
Art and pornog­ra­phy are at the heart of Anne Breimaier’s talk, which will crit­i­cal­ly recon­struct a lec­ture of rad­i­cal fem­i­nist Dorchen Lei­d­holdt in 1980. Breimaier will relate Leidholdt’s cri­tique of a com­mod­i­fi­ca­tion of vio­lence against women in visu­al media of the 1980 to con­tem­po­rary image cultures.
The lec­ture series wraps up with a talk by Johan Höglund, “An end to Eat­ing? Future Food Imag­i­nar­ies and the Cli­mate Emer­gency.” Höglund will dis­cuss how fic­tion set in a future trans­formed by cli­mate change describes the act of ingest­ing food as “feed­ing” (what babies and ani­mals do) rather than “eat­ing” (what humans are typ­i­cal­ly under­stood to be doing and what counts as a social and cul­tur­al practice).
For the poster as well as the dates and times:

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A Story Beyond Words: The Death and Life of Marsha P. Johnson

By Hannah Quinque

Pho­to Cred­it: “No Pride With­out Black Trans Lives” by Janine and Jim Eden

LGBTQ+ Pride is usu­al­ly a cause for cel­e­bra­tion. It is meant to express the joy of being alive and being seen in a soci­ety where an iden­ti­ty that diverges from the norm eas­i­ly leads to exclu­sion, iso­la­tion, and fear. Some­how, it makes sense, then, that the idea of Pride is born from suf­fer­ing, tragedy, and anger, too. The 2017 Net­flix doc­u­men­tary The Death and Life of Mar­sha P. John­son presents a stir­ring tes­ta­ment to a life and death that are uni­ver­sal­ly mean­ing­ful in the strug­gle for LGBTQ+ exis­tence, then and now.

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Nuclear Power and the Road to Ecomodernism

By Levin Schüren

Pho­to Cred­it: “Nuclear Envi­ron­men­tal­ist” by jurvet­son is licensed under

What if a belief you deeply held and one that’s rec­i­p­ro­cat­ed by your entire social cir­cle is actu­al­ly wrong and harm­ful? In the spir­it of my last blog, I want to tell the sto­ry of how I changed my mind on a major issue. The posi­tion I want to chal­lenge is deeply engrained in the DNA of the main­stream envi­ron­men­tal move­ment, espe­cial­ly here in Ger­many: the oppo­si­tion to nuclear power.

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Having Fun with Language on German American Day 2022

By Sabrina Völz

In coun­tries, such as Poland and the Nether­lands, learn­ing Ger­man is on the rise. Yet, in the U.S., it’s been declin­ing for the past hun­dred years. Num­bers of stu­dents learn­ing Ger­man have decreased from rough­ly two mil­lion in 1910 to a lit­tle over one mil­lion today. There­fore, it shouldn’t come as a sur­prise that Ger­man pro­grams have been clos­ing all over the U.S. The very lib­er­al arts col­lege I attend­ed as a bach­e­lor stu­dent in Indi­anola, Iowa – Simp­son Col­lege – elim­i­nat­ed its Ger­man pro­gram a few years ago. So in prepa­ra­tion for this Ger­man Amer­i­can Day (Oct. 6), I decid­ed to attempt to do some PR for German.

Recent­ly, while I was surf­ing the web, I came across some­thing that almost knocked me for a loop. It’s noth­ing bad, just a 58-let­ter word. So let’s hear that drum roll….

Please acti­vate javascript to watch the video
https://www.youtube.com/watch?v=2ViZqQkddCc

That word is: Kurzfris­ten-energie-ver­sorgungs-sicherungs-maß­nah­men-verord­nung.

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When in Doubt, Ask a Native Author! The Winnetou Debate

By Maryann Henck

After a storm of protests from enraged par­ents con­cern­ing issues of (mis)representation and cul­tur­al appro­pri­a­tion in the new children’s movie, The Young Chief Win­netou (2022), the Ger­man pub­lish­er, Ravens­burg­er Ver­lag, with­drew the com­pan­ion book and puz­zle to the film. Soon there­after, the main Ger­man TV sta­tion (ARD) announced they would no longer broad­cast the pop­u­lar Win­netou movies from the 1960s based on Karl May’s nov­els. Every­one seems to have their take on the cur­rent con­tro­ver­sy; yet, there’s been some crit­i­cism regard­ing issues of pater­nal­ism due to the lack of Native voic­es in the debate. That’s why the Amer­i­can Stud­ies Blog has gone direct­ly to the source and inter­viewed Drew Hay­den Tay­lor acclaimed Cana­di­an Anish­naabe author, fre­quent fly­er to Ger­many, and cre­ator of the doc­u­men­tary, Search­ing for Win­netou (2018).

Please acti­vate javascript to watch the video
https://www.youtube.com/watch?v=WvM4V6HLJAI

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Going against the Grain: Declaring My Love for Cars 2

By Veronika Heinrich

Every­body hates Cars 2 – and I just don’t under­stand why. First of all, let me make a con­fes­sion: I’m 25 years old and a Dis­ney nerd. I love watch­ing ani­mat­ed movies – as long as they’re well made. And Cars 2, even after more than ten years, is still my all-time feel-good movie.

It has every­thing you could wish for: Uplift­ing words, fun­ny jokes, and a world you can lose your­self in. There’s bare­ly any­thing that’s hate­ful or trig­ger­ing, and I love join­ing the char­ac­ters on their jour­ney. Yet, most crit­ics have char­ac­ter­ized Cars 2 as vio­lent and illog­i­cal, call­ing it the worst Pixar movie ever – and I just can’t wrap my head around it. How could I feel so dif­fer­ent­ly from every­one else?

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