Tag Archives: Stories

Breaking New Ground: Liberating Lomie by Saloma Miller Furlong

By Sabrina Völz

In 2011, Salo­ma Miller Furlong’s Why I Left the Amish: A Mem­oir appeared dur­ing the mem­oir boom that gave agency to invis­i­ble, mar­gin­al­ized, or mis­rep­re­sent­ed groups. Why I Left the Amish was one of the first mem­oirs writ­ten by a for­mer Amish woman that pro­vid­ed unfet­tered per­spec­tives on the Amish. While many Amish groups today lead a sim­ple life much like many rur­al Amer­i­cans in agri­cul­tur­al com­mu­ni­ties did in the 19th to ear­ly 20th cen­turies, Amish cul­ture is any­thing but sim­ple as Furlong’s newest mem­oir shows.

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All the Stories That We (Were) Told

By Nora Benitt

Pixar’s Rules of Sto­ry­telling by Pro­found Whatever

Life writ­ing – which includes a wide spec­trum of sub-gen­res such as (auto)biography, mem­oir, let­ter, diary, (dig­i­tal) life sto­ries, and oral his­to­ries – has a long tra­di­tion in the U.S. and is becom­ing more and more pop­u­lar all over the world. An abun­dance of arti­facts com­piled by famous, semi-famous, and not-at-all-famous peo­ple fill pub­lic libraries, pri­vate book­shelves, research cen­ters, social media, hard dri­ves, and web­sites. And that’s actu­al­ly not even sur­pris­ing since writ­ing and/or talk­ing about our­selves is a deeply root­ed cul­tur­al prac­tice and comes very nat­u­ral­ly to most human beings. We do it all the time: We tell a sig­nif­i­cant some­one how our day was, we put togeth­er our résumé when apply­ing for a new job, we talk about child­hood mem­o­ries with sib­lings or a close friend. How­ev­er, talk­ing and writ­ing about our­selves in an aca­d­e­m­ic con­text and, to boot, in a for­eign lan­guage is a com­plete­ly dif­fer­ent story.

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Collaborative Writing – The Final Frontier

By Lynette Kirschner

If you want to go where no man has gone before, why not try your hand at col­lab­o­ra­tive writ­ing? The idea is sim­ple: Com­bine var­i­ous types of writ­ing in an elec­tive course with a deep under­stand­ing of a spe­cif­ic the­o­ry. The sem­i­nar, “Where no man has gone before: Women and Sci­ence Fic­tion,” was my attempt to have stu­dents not only apply var­i­ous forms of writ­ing but also gain a deep­er knowl­edge of inter­sec­tion­al­i­ty using social sci­ence fic­tion – with a dose of cre­ativ­i­ty. Just look at these stu­dent-pro­duced project covers!

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Storytelling: Of Geniuses and Maps

By Kai-Arne Zimny

What makes a piece of fic­tion suc­cess­ful, apart from a good por­tion of luck? Well, some writ­ers deem the craft of ‘plot­ting’ essen­tial for cre­at­ing fic­tion that goes some­where, while oth­ers pre­fer to write from the seat of their pants and are like­ly to dread the prospect of their art being any­thing less than inspi­ra­tion, tal­ent, and vision.

Let me intro­duce you to two writ­ing guides that might offer some per­spec­tive on the ini­tial ques­tion. First, let’s vis­it some­one who claims that both ‘pantsers’ and plot­ters are on the wrong track because …

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