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A Gift that Keeps Giving: The American Memorial Library in Berlin

By Svenja Dörflinger

“Today we are lay­ing the cor­ner­stone of the Amer­i­can Memo­r­i­al Library. It is to be open to all who desire to enter and learn what men of all nations and all beliefs have thought and writ­ten. It is the free­dom to learn, to study, to seek the truth. This is the essence of a free soci­ety. This is the source of our great­est strength.”

It’s the year 1952 – a hot June day in West Berlin. The city’s may­or, Ernst Reuter; U.S. High Com­mis­sion­er for Ger­many, John McCloy; and Amer­i­can Sec­re­tary of State, Dean Ache­son, are lay­ing the cor­ner­stone for the first Amer­i­can pub­lic library in Ger­many, the Ameri­ka Gedenkbib­lio­thek (Amer­i­can Memo­r­i­al Library). In his speech, Ache­son not only gives hope to the peo­ple of Berlin – who live in a divid­ed city after a hor­ren­dous war – he also deliv­ers a mes­sage that is per­haps more top­i­cal than ever.

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Dreams Have No Borders: The 8th Indianer/Inuit North American Film Festival

By Maria Moss and Sabrina Völz

Acosia Red Elk and Drew Hay­den Tay­lor. Pho­to cred­it: Sab­ri­na Völz

Ask any Native Stud­ies schol­ar in Europe, and they will be well aware of the Euro­pean fas­ci­na­tion with Native peo­ples of North Amer­i­ca – a fas­ci­na­tion that can be traced back to the nov­els of 19th cen­tu­ry writer Karl May who fur­thered the noble sav­age stereo­type. The pre­em­i­nent schol­ar for Native Stud­ies, Hart­mut Lutz, even coined a term for it: Indi­anthu­si­asm. When we heard about the 8th Indi­an­er Inu­it Fes­ti­val in Stuttgart from Feb­ru­ary 6–9, 2020, two ques­tions came to mind: Would this Indi­anthu­si­asm come to life or be decon­struct­ed at the fes­ti­val? And is “Indi­an­er” even a term that should still be used in Ger­man-speak­ing countries?

So we packed our bags and took the 5½-hour train ride from Lüneb­urg to Stuttgart to inves­ti­gate. The festival’s pro­gram was quite exten­sive, encom­pass­ing doc­u­men­taries, short films, fea­ture films, children’s films, and music videos pro­duced and direct­ed by Indige­nous artists from North Amer­i­ca and beyond. Apart from vis­it­ing the film screen­ings, we also encoun­tered fas­ci­nat­ing peo­ple who gave us an inkling of the impres­sive vari­ety of con­tem­po­rary Native artis­tic expression.

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Star Wars – The Rise of Skywalker (2019)

By Kai-Arne Zimny

[Author’s note: This review is spoil­er free.] 

A year has passed since the events of The Last Jedi (2017). Kylo Ren (Adam Dri­ver) is Supreme Leader of the evil galac­tic regime called The First Order and still strange­ly drawn and con­nect­ed to his ene­my, the last Jedi and resis­tance fight­er Rey (Daisy Rid­ley). But not every­thing is as it seems, and we soon real­ize who’s been pulling the strings all along.

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Teaching Human-Animal Studies: An Interdisciplinary Symposium

Ani­mals are all around us. But what do we actu­al­ly mean when we say “ani­mal”? We are, of course, also ani­mals: human ani­mals.  

In recent years, ani­mals have entered uni­ver­si­ty life, and  schol­ars in fields as diverse as art, philos­o­phy, and reli­gious stud­ies approach ani­mals from dif­fer­ent angles and method­olo­gies. Ani­mals are to some extent invis­i­ble until they enter the realm of the human. Then they become pets, cat­tle, or lab­o­ra­to­ry ani­mals.  

Are you curi­ous? Could this sub­ject enrich your teaching cur­ricu­lum? Then why don’t you join us at Leuphana Uni­ver­si­ty from Jan­u­ary 23 to 25. For fur­ther infor­ma­tion, includ­ing reg­is­tra­tion details, see the pro­gram.

Blue Valentine : Endings, Beginnings, and Nothing in Between

By Kai-Arne Zimny

Blue Valen­tine: A Love Sto­ry (2011). That’s what it says on the movie poster. But is this what the movie is real­ly about? A roman­tic, sus­tained, and pro­found life­long bond between two peo­ple? Well, maybe it isn’t.

The present: Dean (Ryan Gosling) is an over­all like­able, easy­go­ing slack­er. His job, paint­ing hous­es, allows him the ‘lux­u­ry’ of drink­ing beer in the morn­ing. He’s not a radi­ant source of bliss but being mar­ried to Cindy (Michelle Williams) and get­ting goofy with their lit­tle daugh­ter Frankie (Faith Wla­dy­ka) is what he calls “his dream.” How­ev­er, Cindy, a nurse, has high­er aspi­ra­tions. To her, Dean’s “dream” is noth­ing but an end­less­ly depress­ing nightmare.

The past: Charm­ing high school dropout Dean works as a fur­ni­ture mover and meets med stu­dent Cindy. To him, it’s love at first sight. To her, it’s so-so. He makes jokes, she laughs; he sings and plays the ukulele, she tap dances to the tunes. Her father hates him, but that’s not an issue because love con­quers all – right?

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On European Audiences, Workshopping, and His Novel, The Altruists: An Interview with Andrew Ridker

By Sabrina Völz

I met author Andrew Rid­ker at the Heine-Haus in Lüneb­urg on Octo­ber 21, 2019. After the inspir­ing evening, he kind­ly agreed to an email inter­view with the Amer­i­can Stud­ies Blog. His nov­el, The Altru­ists, describes a dys­func­tion­al fam­i­ly bur­dened by their respec­tive pasts and their attempts to repair shat­tered rela­tion­ships. Ulti­mate­ly, as the title sug­gests, it is also about being good.

SV: Your debut nov­el, The Altru­ists, is reap­ing the high­est praise from crit­ics in the U.S. and beyond. How are you cop­ing with all of the attention?

AR: I’m extreme­ly grate­ful for the kind reviews, which have exceed­ed my expec­ta­tions, but in my expe­ri­ence those highs have an expi­ra­tion date of rough­ly twen­ty-four hours. After that, it’s back to work.

SV: In Octo­ber, you went on a book tour in Ger­many (Berlin, Göt­tin­gen, and Lüneb­urg), Aus­tria (Salzburg), and Switzer­land (Zürich). Was it your first vis­it to these Ger­man-speak­ing coun­tries? Did any­thing sur­prise you?

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