Tag Archives: Leuphana Universität Lüneburg

Digital American Studies – The ASB Editors’ Favorite Picks (Part I)

By Sabrina Völz

Cred­it: “Netiquette1” by Helen DeWaard

Every­one is writ­ing about the shift to dig­i­tal teach­ing in wake of the coro­n­avirus cri­sis. The focus on Twit­ter and diverse blogs seems to be main­ly on how to use var­i­ous con­fer­enc­ing and dig­i­tal tools, such as Zoom, Flip Grid, and Padlet. Since both Maria and I live in some­what rur­al areas with unbe­liev­ably poor inter­net con­nec­tions, com­plete home office is not a pos­si­bil­i­ty for us, and we are won­der­ing how many stu­dents will have prob­lems to use tools that require a high-speed inter­net con­nec­tion. Those stu­dents won’t have the oppor­tu­ni­ty, though, to make use of uni­ver­si­ty resources as we can. For that rea­son alone – and we are sure there are many oth­ers – most of the advice columns say to keep dig­i­tal class­es sim­ple and syn­chro­nous learn­ing lim­it­ed. We would, there­fore, like to offer our read­ers a few sug­ges­tions for the teach­ing of Amer­i­can Stud­ies that may ease the bur­den. Why re-cre­ate the wheel when you don’t need to?

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“Do they have traffic lights in Ireland?”

By Deidre Hutchison

“Do they have traf­fic lights in Ire­land?” This was a naive ques­tion posed to my cousin on a vis­it to the Unit­ed States in the 1980s. To my pre-teen intel­lect, this was the kind of insult that demon­strat­ed the height of Amer­i­can igno­rance my friends and I so often scoffed at. There was laugh­ter at such a ludi­crous concept.

The image of Ire­land as back­ward bor­dered on com­i­cal and more often, irri­tat­ing. After all, we were a nation with a deep his­to­ry and a rich cul­ture with lit­er­ary giants like James Joyce, Oscar Wilde, and W.B. Yeats. Musi­cal­ly, we boast­ed the renowned tal­ent of every­thing from The Dublin­ers and Thin Lizzy to the glob­al phe­nom­e­non of U2. In our minds, we might be a small island, but we were extreme­ly proud and accomplished.

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“By the Sword We Seek Peace”: The 1620 Massachusetts State Flag and Legacies in 2020

By Christoph Strobel

was late in June 2015. I was on a trip through the south­ern Unit­ed States and decid­ed to take a quick detour to explore the area around South Carolina’s state­house in the city of Colum­bia. Here, only a few days ear­li­er, Brit­tany (“Bree”) New­some, had scaled a 30-foot flag­pole to take down the Con­fed­er­ate flag, an act that had cap­tured nation­al and inter­na­tion­al media head­lines. This inci­dent was one of sev­er­al notable recent flash­points in the cul­ture wars that rage over issues of his­toric commemoration.

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Sacrifice, Suffrage, and the Struggle for ERA: Celebrating International Women’s Day 2020

By Sabrina Völz

2020 marks the 100th anniver­sary of the 19th Amend­ment to the U.S. Con­sti­tu­tion that grant­ed Amer­i­can women the right to vote. That is cer­tain­ly rea­son to cel­e­brate! But before you break open a bot­tle of sparkling wine, let’s review a few facts so we can put that momen­tous achieve­ment into con­text for our read­ers less famil­iar with U.S. history.

Suf­frage, the right to vote, was not extend­ed to women at the same time it was grant­ed to blacks in 1870. The first for­mal attempt to pass an amend­ment for woman suf­frage – and there would be many – was intro­duced in 1878. For the next 40 years, that amend­ment was put to a vote in each ses­sion of Con­gress. Yes, 40 years! Let that sink in for a while…. Then, in 1918, the 19th Amend­ment final­ly passed the House and the Sen­ate in the fol­low­ing year and was rat­i­fied on August 26, 1920. But these are just a few of the details:

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After that long strug­gle, how­ev­er, many women did not actu­al­ly take advan­tage of their right to vote in the 1920 and 1924 elec­tions. Appar­ent­ly, they thought they already had achieved equal rights. Does that sound famil­iar? It should. It is exact­ly what some of the peo­ple who oppose the Equal Rights Amend­ment are say­ing in 2020.

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A Gift that Keeps Giving: The American Memorial Library in Berlin

By Svenja Dörflinger

“Today we are lay­ing the cor­ner­stone of the Amer­i­can Memo­r­i­al Library. It is to be open to all who desire to enter and learn what men of all nations and all beliefs have thought and writ­ten. It is the free­dom to learn, to study, to seek the truth. This is the essence of a free soci­ety. This is the source of our great­est strength.”

It’s the year 1952 – a hot June day in West Berlin. The city’s may­or, Ernst Reuter; U.S. High Com­mis­sion­er for Ger­many, John McCloy; and Amer­i­can Sec­re­tary of State, Dean Ache­son, are lay­ing the cor­ner­stone for the first Amer­i­can pub­lic library in Ger­many, the Ameri­ka Gedenkbib­lio­thek (Amer­i­can Memo­r­i­al Library). In his speech, Ache­son not only gives hope to the peo­ple of Berlin – who live in a divid­ed city after a hor­ren­dous war – he also deliv­ers a mes­sage that is per­haps more top­i­cal than ever.

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Dreams Have No Borders: The 8th Indianer/Inuit North American Film Festival

By Maria Moss and Sabrina Völz

Acosia Red Elk and Drew Hay­den Tay­lor. Pho­to cred­it: Sab­ri­na Völz

Ask any Native Stud­ies schol­ar in Europe, and they will be well aware of the Euro­pean fas­ci­na­tion with Native peo­ples of North Amer­i­ca – a fas­ci­na­tion that can be traced back to the nov­els of 19th cen­tu­ry writer Karl May who fur­thered the noble sav­age stereo­type. The pre­em­i­nent schol­ar for Native Stud­ies, Hart­mut Lutz, even coined a term for it: Indi­anthu­si­asm. When we heard about the 8th Indi­an­er Inu­it Fes­ti­val in Stuttgart from Feb­ru­ary 6–9, 2020, two ques­tions came to mind: Would this Indi­anthu­si­asm come to life or be decon­struct­ed at the fes­ti­val? And is “Indi­an­er” even a term that should still be used in Ger­man-speak­ing countries?

So we packed our bags and took the 5½-hour train ride from Lüneb­urg to Stuttgart to inves­ti­gate. The festival’s pro­gram was quite exten­sive, encom­pass­ing doc­u­men­taries, short films, fea­ture films, children’s films, and music videos pro­duced and direct­ed by Indige­nous artists from North Amer­i­ca and beyond. Apart from vis­it­ing the film screen­ings, we also encoun­tered fas­ci­nat­ing peo­ple who gave us an inkling of the impres­sive vari­ety of con­tem­po­rary Native artis­tic expression.

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