Best Books & Fabulous Films

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An Homage to Diversity: Jim Jarmusch’s Night on Earth (1991)

By Michaela Keck

Released in 1991, Jim Jarmusch’s Night on Earth is clear­ly not an Amer­i­can clas­sic in the sense of belong­ing to the gold­en age of Hol­ly­wood. As an art film that aims to counter com­mer­cial Hol­ly­wood films, how­ev­er, Night on Earth has acquired the sta­tus of a clas­sic inde­pen­dent film by now. While the film’s pro­duc­tion was com­par­a­tive­ly inex­pen­sive, it nev­er­the­less impress­es with a top-class cast of actors, includ­ing Winona Ryder, Gena Row­lands, Armin Mueller-Stahl, and Rober­to Benig­ni as well as its reas­sur­ing­ly weird film music by Tom Waits.

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Letters to a Young Writer – Some Practical and Philosophical Advice for Newcomers to the Trade

By Kai-Arne Zimny

“Nobody can advise you and help you, nobody.”

This is how writ­ing instruc­tor, nov­el­ist, and screen­writer Colum McCann starts his Let­ters to a Young Writer (2017). But if no one can help you write, why both­er read­ing a book that has “writer” and “advice” in its title? Well, let’s read a few let­ters and find out.

Pho­to Cred­it: Kai-Arne Zimny

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Ira Wagler’s Serial Memoir Broken Roads: Returning to My Amish Father

By Sabrina Völz

I know the mon­sters that lurk in the recess­es of the mind and in

the dark cor­ners of the heart. I know, because I deal with my own demons

of what was and what might have been. I’ve heard those voic­es call­ing in the night.

I under­stand, because I poked my head through that door and looked around a bit.

And I got­ta say, it’s not a ter­ri­bly scary place. I wasn’t fright­ened there,

in that room where death is. I under­stand why peo­ple go there.

And I under­stand why peo­ple chose to stay there.

Ira Wagler, Bro­ken Roads, p. 187–188

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Grow­ing Up Amish, Ira Wagler’s New York Times best­seller has sold some 185,000 copies since it first appeared in 2011. A writer whose first book makes that list has much to live up to. Some writ­ers nev­er make it past the first book, while oth­ers end up wish­ing they had only writ­ten one. And if I am hon­est, I have to admit that I was some­what con­cerned about what I would do if I didn’t like Ira Wagler’s new book. After all, he’s been to my uni­ver­si­ty twice, and over the years, I’ve got to know and appre­ci­ate him. The book is not quite what I had expect­ed, and it is tru­ly dif­fer­ent in a few key ways from his first publication.

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The Mandalorian

By Kai-Arne Zimny

You’ve prob­a­bly already heard that The Man­dalo­ri­an was nom­i­nat­ed for 15 Emmy Awards, includ­ing Out­stand­ing Dra­ma Series and Out­stand­ing Children’s Pro­gram. And even if you weren’t famil­iar with the term Man­dalo­ri­an before, chances are you’ve seen one: Boba Fett, the green-armored boun­ty hunter in the clas­sic Star Wars film is a Man­dalo­ri­an, a mem­ber of a clan-based soci­ety with­in the Star Wars uni­verse known for their code of hon­or and war­rior ways. We nev­er saw Boba Fett’s face, he didn’t say much, and he didn’t take up much screen time. All this didn’t stop him from becom­ing a fan favorite back in the day. But would such a char­ac­ter work as a pro­tag­o­nist of a series?

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Star Wars – The Rise of Skywalker (2019)

By Kai-Arne Zimny

[Author’s note: This review is spoil­er free.] 

A year has passed since the events of The Last Jedi (2017). Kylo Ren (Adam Dri­ver) is Supreme Leader of the evil galac­tic regime called The First Order and still strange­ly drawn and con­nect­ed to his ene­my, the last Jedi and resis­tance fight­er Rey (Daisy Rid­ley). But not every­thing is as it seems, and we soon real­ize who’s been pulling the strings all along.

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Blue Valentine : Endings, Beginnings, and Nothing in Between

By Kai-Arne Zimny

Blue Valen­tine: A Love Sto­ry (2011). That’s what it says on the movie poster. But is this what the movie is real­ly about? A roman­tic, sus­tained, and pro­found life­long bond between two peo­ple? Well, maybe it isn’t.

The present: Dean (Ryan Gosling) is an over­all like­able, easy­go­ing slack­er. His job, paint­ing hous­es, allows him the ‘lux­u­ry’ of drink­ing beer in the morn­ing. He’s not a radi­ant source of bliss but being mar­ried to Cindy (Michelle Williams) and get­ting goofy with their lit­tle daugh­ter Frankie (Faith Wla­dy­ka) is what he calls “his dream.” How­ev­er, Cindy, a nurse, has high­er aspi­ra­tions. To her, Dean’s “dream” is noth­ing but an end­less­ly depress­ing nightmare.

The past: Charm­ing high school dropout Dean works as a fur­ni­ture mover and meets med stu­dent Cindy. To him, it’s love at first sight. To her, it’s so-so. He makes jokes, she laughs; he sings and plays the ukulele, she tap dances to the tunes. Her father hates him, but that’s not an issue because love con­quers all – right?

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