On European Audiences, Workshopping, and His Novel, The Altruists: An Interview with Andrew Ridker

By Sabrina Völz

I met author Andrew Rid­ker at the Heine-Haus in Lüneb­urg on Octo­ber 21, 2019. After the inspir­ing evening, he kind­ly agreed to an email inter­view with the Amer­i­can Stud­ies Blog. His nov­el, The Altru­ists, describes a dys­func­tion­al fam­i­ly bur­dened by their respec­tive pasts and their attempts to repair shat­tered rela­tion­ships. Ulti­mate­ly, as the title sug­gests, it is also about being good.

SV: Your debut nov­el, The Altru­ists, is reap­ing the high­est praise from crit­ics in the U.S. and beyond. How are you cop­ing with all of the attention?

AR: I’m extreme­ly grate­ful for the kind reviews, which have exceed­ed my expec­ta­tions, but in my expe­ri­ence those highs have an expi­ra­tion date of rough­ly twen­ty-four hours. After that, it’s back to work.

SV: In Octo­ber, you went on a book tour in Ger­many (Berlin, Göt­tin­gen, and Lüneb­urg), Aus­tria (Salzburg), and Switzer­land (Zürich). Was it your first vis­it to these Ger­man-speak­ing coun­tries? Did any­thing sur­prise you?

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The Ultimate Christmas Movie Playlist

By Daria Radler

Ah, Christ­mas! The hol­i­days are around the cor­ner, and this means a com­bi­na­tion of an incred­i­ble amount of deli­cious food (don’t we all love Grandma’s cook­ing?!) as well as presents and some qual­i­ty time with our fam­i­lies that we’ve either looked for­ward to or have secret­ly dread­ed for months. Either way, I’m sure that by now you have prob­a­bly estab­lished a lit­tle fam­i­ly tra­di­tion of your own when it comes to decid­ing on your ulti­mate Christ­mas movie selec­tion. So let’s look at a few movies that should def­i­nite­ly make your list.

 

  1. It’s a Won­der­ful Life (1946)
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https://www.youtube.com/watch?v=6jB4Vsi1UUM

George Bai­ley has spent his entire life devot­ing him­self to the peo­ple of Bed­ford Falls. Bro­ken and sui­ci­dal on Christ­mas Eve, he decides that his fam­i­ly and friends would be bet­ter off with­out him. What he doesn’t know is that they have prayed for him to get through these hard times, and that their prayers have been heard: His guardian angel Clarence falls to earth to show him how dif­fer­ent the lives of his loved ones would have been if it wasn’t for him. Heart­warm­ing­ly beau­ti­ful and deeply mov­ing, It’s a Won­der­ful Life teach­es us how much it means to look after one anoth­er – a mes­sage that makes this movie worth watch­ing over and over again.

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Forget What the History Books Say: How David Hasselhoff Broke Down the Berlin Wall

By Aaron Baumgart

“[This] again proves my the­o­ry that Ger­mans love David Has­sel­hoff,” con­cludes Norm Mac­don­ald on his Sat­ur­day Night Live seg­ment “Week­end Update” in the ear­ly 90s. The crowd roars with laugh­ter, the punch­line has become a favorite among them for quite a while. “Those sil­ly Ger­mans,” Macdonald’s eyes seems to say.

Over twen­ty years lat­er, the joke might not be remem­bered but the sen­ti­ment cer­tain­ly per­sists. Many Ger­mans com­plain on their trav­el blogs about get­ting asked about “The Hoff” while trav­el­ing around the USA. Some of them bare­ly know who he is. Indeed, today’s young adults might only faint­ly remem­ber Has­sel­hoff for run­ning around in red shorts, talk­ing to cars, and hav­ing his drunk­en mis­de­meanors cap­tured on cam­era. This has not always been the case.

Dur­ing the 1980s, both of Hasselhoff’s shows, Knight Rid­er and Bay­watch, were large­ly cel­e­brat­ed in Ger­many. That is to say, not only in Ger­many. Bay­watch was export­ed into 144 coun­tries with over a bil­lion peo­ple world­wide sit­ting in front of their TVs every week. His shows fea­tured ele­ments that were excit­ing for Ger­man view­ers: futur­is­tic tech­nol­o­gy and attrac­tive young actors in very lit­tle cloth­ing on sun­ny beach­es. “The Hoff” con­se­quent­ly made his way into Ger­man mag­a­zines for teens – like Bra­vo and Mäd­chen – but so did John Tra­vol­ta and Patrick Swayze. What made Has­sel­hoff so different?

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Thanksgiving and the Ambiguity of Memory

By Christoph Strobel

It was in the late after­noon on Novem­ber 22, 2018. Even by New Eng­land stan­dards, the weath­er was cold and blus­tery. Out­side of a dor­mi­to­ry at the uni­ver­si­ty where I teach, I met up with a Ger­man stu­dent who spent the 2018 fall semes­ter as a Ful­bright exchange stu­dent at my insti­tu­tion. My fam­i­ly had him over for din­ner before, and, as he had no place to go for Thanks­giv­ing, we invit­ed him to spend the hol­i­day din­ner at our house along with a few oth­er friends. When I picked him up, he was clear­ly sur­prised as the dor­mi­to­ry and the uni­ver­si­ty appeared com­plete­ly aban­doned. I explained to him that Thanks­giv­ing was ‘the’ big fam­i­ly event in the Unit­ed States and that extend­ed fam­i­lies are more like­ly to get togeth­er dur­ing this hol­i­day than for Christ­mas or the Fourth of July.

The din­ner table – resplen­dent with a large roast­ed turkey, mash pota­toes, var­i­ous breads and greens, as well as sweet pota­to and cran­ber­ry dish­es – remind­ed me of my first Thanks­giv­ings in 1993. I had just arrived in the U.S. and was look­ing for­ward to my job as a Ger­man lan­guage assis­tant at a small lib­er­al arts col­lege. Since those days, I have often won­dered about the var­i­ous mean­ings that Amer­i­cans ascribe to the hol­i­day and the some­times ambigu­ous and even con­test­ed rela­tion­ship that many have with Thanks­giv­ing. As a his­to­ri­an, I am fas­ci­nat­ed by how the his­to­ry that sur­rounds the hol­i­day is often ignored or san­i­tized by many in main­stream Amer­i­can soci­ety. In fact, Native Amer­i­cans tend to have an entire­ly dif­fer­ent per­spec­tive on Thanks­giv­ing, but more about that later.

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ASB 2019 Contest Winner in the Category “Best Books & Fabulous Films”

By Lauren Solomon

On behalf of the Amer­i­can Stud­ies Blog, we would like to extend our sin­cer­est con­grat­u­la­tions to Lau­ren Solomon whose win­ning entry in the cat­e­go­ry “Best Books & Fab­u­lous Films” can be read below.

Mindhunter: Harnessing the Minds of Monsters

Noth­ing cap­ti­vates an audi­ence like the inhu­man and hor­rif­ic acts of a ser­i­al killer. After Con­ver­sa­tions with a Killer: The Ted Bundy Tapes aired on Net­flix in Jan­u­ary 2019, fol­lowed in May by the release of the bio­graph­i­cal crime thriller, Extreme­ly Wicked, Shock­ing­ly Evil and Vile, also based on the Ted Bundy sto­ry, the U.S. has become mes­mer­ized by sto­ries of ser­i­al killing. With that ris­ing fas­ci­na­tion, peo­ple can’t seem to stop talk­ing about the sec­ond sea­son of Mind­hunter.

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Personal Recollections: The Fall of the Wall Part Two

By Bobbie Kirkhart, Evangelia Kindinger, Lynette Kirschner, Maria Moss, Monica Ortez, Cheryce von Xylander

This week’s installment concludes our series on the fall of the Berlin Wall. Enjoy!

 

Pho­to cred­it: Doris Antony
Bobbie Kirkhart, Los Angeles

When I was very young, I imag­ined there was a wall just beyond my view, mak­ing sure I could not ven­ture into the for­bid­den world. It made a strange shape, sur­round­ing all the ter­ri­to­ry I could explore and block­ing every­where I could not. Per­haps it was that I was by far the youngest in my fam­i­ly, so that every­one else was an adult in my eyes and there­fore free. What­ev­er the rea­son, I accept­ed as sim­ple truth that I was banned from a world where every­one else was free to go. As I grew old­er, I real­ized that the wall was a metaphor, but I saw it as no less a real­i­ty in my life.

I was well into my 40s when that changed.

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