Tag Archives: Leuphana Universität Lüneburg

Teaching Human-Animal Studies: An Interdisciplinary Symposium

Ani­mals are all around us. But what do we actu­al­ly mean when we say “ani­mal”? We are, of course, also ani­mals: human ani­mals.  

In recent years, ani­mals have entered uni­ver­si­ty life, and  schol­ars in fields as diverse as art, philos­o­phy, and reli­gious stud­ies approach ani­mals from dif­fer­ent angles and method­olo­gies. Ani­mals are to some extent invis­i­ble until they enter the realm of the human. Then they become pets, cat­tle, or lab­o­ra­to­ry ani­mals.  

Are you curi­ous? Could this sub­ject enrich your teaching cur­ricu­lum? Then why don’t you join us at Leuphana Uni­ver­si­ty from Jan­u­ary 23 to 25. For fur­ther infor­ma­tion, includ­ing reg­is­tra­tion details, see the pro­gram.

Blue Valentine : Endings, Beginnings, and Nothing in Between

By Kai-Arne Zimny

Blue Valen­tine: A Love Sto­ry (2011). That’s what it says on the movie poster. But is this what the movie is real­ly about? A roman­tic, sus­tained, and pro­found life­long bond between two peo­ple? Well, maybe it isn’t.

The present: Dean (Ryan Gosling) is an over­all like­able, easy­go­ing slack­er. His job, paint­ing hous­es, allows him the ‘lux­u­ry’ of drink­ing beer in the morn­ing. He’s not a radi­ant source of bliss but being mar­ried to Cindy (Michelle Williams) and get­ting goofy with their lit­tle daugh­ter Frankie (Faith Wla­dy­ka) is what he calls “his dream.” How­ev­er, Cindy, a nurse, has high­er aspi­ra­tions. To her, Dean’s “dream” is noth­ing but an end­less­ly depress­ing nightmare.

The past: Charm­ing high school dropout Dean works as a fur­ni­ture mover and meets med stu­dent Cindy. To him, it’s love at first sight. To her, it’s so-so. He makes jokes, she laughs; he sings and plays the ukulele, she tap dances to the tunes. Her father hates him, but that’s not an issue because love con­quers all – right?

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On European Audiences, Workshopping, and His Novel, The Altruists: An Interview with Andrew Ridker

By Sabrina Völz

I met author Andrew Rid­ker at the Heine-Haus in Lüneb­urg on Octo­ber 21, 2019. After the inspir­ing evening, he kind­ly agreed to an email inter­view with the Amer­i­can Stud­ies Blog. His nov­el, The Altru­ists, describes a dys­func­tion­al fam­i­ly bur­dened by their respec­tive pasts and their attempts to repair shat­tered rela­tion­ships. Ulti­mate­ly, as the title sug­gests, it is also about being good.

SV: Your debut nov­el, The Altru­ists, is reap­ing the high­est praise from crit­ics in the U.S. and beyond. How are you cop­ing with all of the attention?

AR: I’m extreme­ly grate­ful for the kind reviews, which have exceed­ed my expec­ta­tions, but in my expe­ri­ence those highs have an expi­ra­tion date of rough­ly twen­ty-four hours. After that, it’s back to work.

SV: In Octo­ber, you went on a book tour in Ger­many (Berlin, Göt­tin­gen, and Lüneb­urg), Aus­tria (Salzburg), and Switzer­land (Zürich). Was it your first vis­it to these Ger­man-speak­ing coun­tries? Did any­thing sur­prise you?

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Forget What the History Books Say: How David Hasselhoff Broke Down the Berlin Wall

By Aaron Baumgart

“[This] again proves my the­o­ry that Ger­mans love David Has­sel­hoff,” con­cludes Norm Mac­don­ald on his Sat­ur­day Night Live seg­ment “Week­end Update” in the ear­ly 90s. The crowd roars with laugh­ter, the punch­line has become a favorite among them for quite a while. “Those sil­ly Ger­mans,” Macdonald’s eyes seems to say.

Over twen­ty years lat­er, the joke might not be remem­bered but the sen­ti­ment cer­tain­ly per­sists. Many Ger­mans com­plain on their trav­el blogs about get­ting asked about “The Hoff” while trav­el­ing around the USA. Some of them bare­ly know who he is. Indeed, today’s young adults might only faint­ly remem­ber Has­sel­hoff for run­ning around in red shorts, talk­ing to cars, and hav­ing his drunk­en mis­de­meanors cap­tured on cam­era. This has not always been the case.

Dur­ing the 1980s, both of Hasselhoff’s shows, Knight Rid­er and Bay­watch, were large­ly cel­e­brat­ed in Ger­many. That is to say, not only in Ger­many. Bay­watch was export­ed into 144 coun­tries with over a bil­lion peo­ple world­wide sit­ting in front of their TVs every week. His shows fea­tured ele­ments that were excit­ing for Ger­man view­ers: futur­is­tic tech­nol­o­gy and attrac­tive young actors in very lit­tle cloth­ing on sun­ny beach­es. “The Hoff” con­se­quent­ly made his way into Ger­man mag­a­zines for teens – like Bra­vo and Mäd­chen – but so did John Tra­vol­ta and Patrick Swayze. What made Has­sel­hoff so different?

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Thanksgiving and the Ambiguity of Memory

By Christoph Strobel

It was in the late after­noon on Novem­ber 22, 2018. Even by New Eng­land stan­dards, the weath­er was cold and blus­tery. Out­side of a dor­mi­to­ry at the uni­ver­si­ty where I teach, I met up with a Ger­man stu­dent who spent the 2018 fall semes­ter as a Ful­bright exchange stu­dent at my insti­tu­tion. My fam­i­ly had him over for din­ner before, and, as he had no place to go for Thanks­giv­ing, we invit­ed him to spend the hol­i­day din­ner at our house along with a few oth­er friends. When I picked him up, he was clear­ly sur­prised as the dor­mi­to­ry and the uni­ver­si­ty appeared com­plete­ly aban­doned. I explained to him that Thanks­giv­ing was ‘the’ big fam­i­ly event in the Unit­ed States and that extend­ed fam­i­lies are more like­ly to get togeth­er dur­ing this hol­i­day than for Christ­mas or the Fourth of July.

The din­ner table – resplen­dent with a large roast­ed turkey, mash pota­toes, var­i­ous breads and greens, as well as sweet pota­to and cran­ber­ry dish­es – remind­ed me of my first Thanks­giv­ings in 1993. I had just arrived in the U.S. and was look­ing for­ward to my job as a Ger­man lan­guage assis­tant at a small lib­er­al arts col­lege. Since those days, I have often won­dered about the var­i­ous mean­ings that Amer­i­cans ascribe to the hol­i­day and the some­times ambigu­ous and even con­test­ed rela­tion­ship that many have with Thanks­giv­ing. As a his­to­ri­an, I am fas­ci­nat­ed by how the his­to­ry that sur­rounds the hol­i­day is often ignored or san­i­tized by many in main­stream Amer­i­can soci­ety. In fact, Native Amer­i­cans tend to have an entire­ly dif­fer­ent per­spec­tive on Thanks­giv­ing, but more about that later.

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ASB 2019 Contest Winner in the Category “Best Books & Fabulous Films”

By Lauren Solomon

On behalf of the Amer­i­can Stud­ies Blog, we would like to extend our sin­cer­est con­grat­u­la­tions to Lau­ren Solomon whose win­ning entry in the cat­e­go­ry “Best Books & Fab­u­lous Films” can be read below.

Mindhunter: Harnessing the Minds of Monsters

Noth­ing cap­ti­vates an audi­ence like the inhu­man and hor­rif­ic acts of a ser­i­al killer. After Con­ver­sa­tions with a Killer: The Ted Bundy Tapes aired on Net­flix in Jan­u­ary 2019, fol­lowed in May by the release of the bio­graph­i­cal crime thriller, Extreme­ly Wicked, Shock­ing­ly Evil and Vile, also based on the Ted Bundy sto­ry, the U.S. has become mes­mer­ized by sto­ries of ser­i­al killing. With that ris­ing fas­ci­na­tion, peo­ple can’t seem to stop talk­ing about the sec­ond sea­son of Mind­hunter.

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