Tag Archives: Leuphana

How to Break a Bookworm’s Heart

By Sara Cepollina

Michael Fass­ben­der, Marisa Tomei, and Alexan­dra Dad­dario: What do these three actors have in common?

You may not know all of them, but what you need to know is that they’ve all played a char­ac­ter from a book or a com­ic, and that they don’t look like their book-alikes at all! For some peo­ple, this may not be rel­e­vant, but for book fans, who’ve lived side-by side with their fic­tion­al char­ac­ters, it’s high­ly impor­tant that an actor who some­what resem­bles the pro­tag­o­nist in the book plays the role. I’m an avid read­er, and when­ev­er the rights to one of my favourite books are bought, I begin to think about the per­fect actor who would best fit the role.

“Jane” is licensed under CC BY-NC 2.0.

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A World Where Science and Indigenous Wisdom Collide: Some Food for Thought on Earth Day

By Savita Joshi

Robin Wall Kimmerer’s pres­ence is mag­net­ic. Step­ping out to the podi­um at the 2014 Bioneers Con­fer­ence – an annu­al forum for top­ics like cli­mate change and human rights – her sil­ver hair hangs loose­ly, fram­ing a pair of leather ear­rings dec­o­rat­ed with small pink flow­ers. She greets the crowd with a large smile, and when she speaks, the room falls silent and the audi­ence lis­tens closely:

“Let us begin today with grat­i­tude … of food to eat, of sweet air to breathe this morn­ing, the pre­cious­ness of water, the com­pan­ion­ship of clouds, and geese, and sug­ar maples. Grat­i­tude for each oth­er, for the priv­i­lege of our work togeth­er, and for the orig­i­nal peo­ples in whose home­land we meet, and for the more-than-human beings with whom we share the earth.”

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https://www.youtube.com/watch?v=cumEQcRMY3c

Such poet­ic and ten­der, prayer-like words come as a sur­prise for some when they real­ize that these are the words of a sci­en­tist and professor.

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The Mesmerizing and Alienating Experience Called Mulholland Drive

By Mahsa Pakzad

Have you ever felt like not watch­ing movies for a while just because you saw one that’s so damn good you knew watch­ing any­thing else after it would just dis­ap­point you? This is the spell that Mul­hol­land Dri­ve has cast on me.

David Lynch’s 2001 movie was cho­sen by a BBC poll as the best of the 21st cen­tu­ry, yet for me, it’s more than that. For me, it’s the def­i­n­i­tion of art. Maybe that makes me too much of a New For­mal­ist, but I do believe that what counts in a work of art is not the ‘what’ but the ‘how’. Lynch takes what could sim­ply be a les­bian love sto­ry and explores its oth­er dimen­sions – jeal­ousy, tox­i­c­i­ty, rival­ry, and betray­al – while at the same time inter­twin­ing it with a Hol­ly­wood dream. Though this is fas­ci­nat­ing, it’s not what sets it apart. What ‘does’ set it apart is how Lynch tells this sto­ry in the form of an unnerv­ing, haunt­ing, sur­re­al­is­tic, Freudi­an mystery/thriller.

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Taking Peace for Granted

By Michael Lederer

Pho­to Cred­it: Michael Led­er­er | Pho­to of Genia Chef’s “The Great Game,” oil on can­vas, 2013 (frag­ment)

It’s so easy to take peace for grant­ed, when we have it.

In my 2012 book, The Great Game: Berlin-War­saw Express and Oth­er Sto­ries, the char­ac­ter Cal, an Amer­i­can writer liv­ing in Berlin, com­mits the sin of lament­ing peace as dull. Board­ing the train for War­saw at Zoo sta­tion, look­ing out his win­dow as the Reich­stag and Bran­den­burg Gate slip by, he reflects on how “con­crete, barbed wire and gun tur­rets had been replaced by a cur­ry­wurst stand, shoe stores, and oth­er unre­mark­able trap­pings of the every­day. Every­thing looked so nor­mal, as if peo­ple had nev­er argued let alone fought here. The grave­yard of com­mu­nism and fas­cism looked beau­ti­ful with its flow­ers and its riv­er in the sunshine.”

But Cal – named for his safe, priv­i­leged, native Cal­i­for­nia – was frus­trat­ed. “The banal­i­ty of today’s pros­per­i­ty be damned,” he thought. “‘Orson Welles was right about the cuck­oo clocks.’ On this day, Cal was not inter­est­ed in sun­shine, flow­ers and rivers. He want­ed shad­ows, smoke and bas­tards. He want­ed danger.”

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News Deserts and the Challenge to Democracy

By Deborah Steinborn

What do Glen­nville, Geor­gia, and Youngstown, Ohio, have in com­mon? The small town in the Deep South and the mid-sized Mid­west­ern city both have lost their sole local news­pa­pers in recent years.

For more infor­ma­tion, see the UNC report “News Deserts and Ghost News­pa­pers” (or click the graphic)

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Teaching Native North America: A Continuing Challenge

By Christoph Strobel

Intel­lec­tu­al lega­cies of col­o­niza­tion play a pow­er­ful role in shap­ing how main­stream U.S. and glob­al soci­ety has come to see Native Amer­i­cans. Art­work from the 19th and 20th cen­turies – such as James Ear­le Fraser’s sculp­ture, “The End of the Trail” – have helped to cre­ate the image of Native Amer­i­cans on horse­back as rep­re­sen­ta­tions most asso­ci­at­ed with Indige­nous pop­u­la­tions of North Amer­i­ca. Type “Native Amer­i­can” into a search engine, and you’ll like­ly get many his­tor­i­cal images of Great Plains Indi­ans. In parts of Europe as well, the per­cep­tion of Native Amer­i­cans has been shaped in unique ways by authors like Karl May and the lat­er movies based on his books. With­out a doubt, our stu­dents’ per­cep­tions about Native Amer­i­cans are influ­enced by these fan­tasies and representations.

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