All posts by Henrike Kattoll

Teaching Native North America: A Continuing Challenge

By Christoph Strobel

Intel­lec­tu­al lega­cies of col­o­niza­tion play a pow­er­ful role in shap­ing how main­stream U.S. and glob­al soci­ety has come to see Native Amer­i­cans. Art­work from the 19th and 20th cen­turies – such as James Ear­le Fraser’s sculp­ture, “The End of the Trail” – have helped to cre­ate the image of Native Amer­i­cans on horse­back as rep­re­sen­ta­tions most asso­ci­at­ed with Indige­nous pop­u­la­tions of North Amer­i­ca. Type “Native Amer­i­can” into a search engine, and you’ll like­ly get many his­tor­i­cal images of Great Plains Indi­ans. In parts of Europe as well, the per­cep­tion of Native Amer­i­cans has been shaped in unique ways by authors like Karl May and the lat­er movies based on his books. With­out a doubt, our stu­dents’ per­cep­tions about Native Amer­i­cans are influ­enced by these fan­tasies and representations.

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The Category Is … Making Golden Globe History

By Charlotte Filippone

“Gold­en Globe Awards” by Joe Shlabot­nik is licensed under CC BY 2.0.

Imag­ine win­ning some­thing as pres­ti­gious as a Gold­en Globe. That alone would be a mind-blow­ing accom­plish­ment, right? Now imag­ine snatch­ing a sec­ond, maybe even more note­wor­thy tro­phy. “Put your glass slip­pers away, Transerel­la. It ain’t nev­er gonna hap­pen!” would snark a Bil­ly-Porter-por­trayed Pray Tell on Pose. Except this time, it real­ly did hap­pen. By tak­ing home the award for Best Actress in a TV Dra­ma for her role of Blan­ca Evan­ge­lista in FX hit series Pose (2018–2021), Michaela Jaé “MJ” Rodriguez became the first open­ly trans­gen­der actress to ever win a Gold­en Globe.

For the New Jer­sey-based actress, who turned 31 just three days before her ground-break­ing achieve­ment, that’s real­ly the icing on the cake. But what makes this so special?

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Setting the Stage for Black History Month

By Sabrina Völz

Pho­to Cred­it: “Woman holds up sign at the Black Lives Mat­ter protest in Wash­ing­ton DC  6/6/2020” by Clay Banks

It’s that time of year again. Feb­ru­ary 1 marks the begin­ning of Black His­to­ry Month. Before I sug­gest some use­ful resources, let’s briefly look at its origins.

Fact 1: The Unit­ed States is not the only coun­try to offi­cial­ly cel­e­brate it. In addi­tion to our neigh­bors to the North, who also cel­e­brate this time of remem­brance in Feb­ru­ary, the Irish and the Unit­ed King­dom observe Black His­to­ry Month in October.

Fact 2: The roots of Black His­to­ry Month in the U.S. can be traced back to his­to­ri­an Carter G. Wood­son and the Asso­ci­a­tion for the Study of Negro Life and His­to­ry, who togeth­er marked the sec­ond week of Feb­ru­ary – which coin­cides with Abra­ham Lincoln’s birth­day – as Negro his­to­ry week in 1926.

Fact 3: Even the Great Eman­ci­pa­tor had his fail­ures, and so it’s undoubt­ed­ly best that in 1969 stu­dents at Kent State moved to cel­e­brate the con­tri­bu­tions and cul­ture of Black Amer­i­cans for an entire month, instead of plac­ing Pres­i­dent Lin­coln, who upheld the mass pub­lic hang­ing of 38 Dako­ta Sioux on Decem­ber 26, 1862, in the cen­ter of their celebrations.

So, if your school has nev­er cel­e­brat­ed Black His­to­ry Month before, it’s nev­er too late to get on that ‘soul train’. And since we didn’t want to leave you in the lurch, we’ve pro­vid­ed a list of some suit­able blogs we’ve pub­lished over the years on sub­jects, rang­ing from cul­tur­al icons, such as Aretha Franklin, Don Cor­nelius, and Bey­on­cé, to best books and fab­u­lous films deal­ing with Black iden­ti­ty and his­to­ry. You’ll also find infor­ma­tion on some cur­rent controversies:

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Hate Country Music … Why?

By Hannah Quinque

Pho­to Cred­it: Car­ol M Highsmith

Con­fes­sion time: I like coun­try music. And no, I’m not being face­tious. And no, not just the alter­na­tive kind. Gimme a steel gui­tar, a ban­jo, and a slow south­ern drawl, and I’m jam­min’. When I put on the New Boots playlist, how­ev­er, I do get looks rang­ing from dis­be­lief to slight­ly annoyed to amused. Not that the reac­tion sur­pris­es me. As is the nature of stereo­types, there is some truth to them, but they also don’t cov­er all of the vast corn­field called coun­try music. And hon­est­ly, you don’t have to strain your ears (pun intend­ed) to pick up on all there is to hear.

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Free Verse Poetry or “how to play with unseen rackets”

By Maria Moss

Any­one can write free verse – or so the say­ing goes. Free verse poems are free from lim­i­ta­tions of meter, rhythm, or rhyme – all aspects that some­times cause grief to cre­ative writ­ing stu­dents. Most of my stu­dents are hap­py if, for once, they are free to fol­low their own ideas with­out hav­ing to pay atten­tion to what many per­ceive as the arti­fi­cial­i­ty of tra­di­tion­al rhymed and metered poet­ry. How­ev­er, even free verse poems are not void of artis­tic expression.

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Cancel Field Trips, Cancel Forest Rangers: The Every by Dave Eggers (2021)

By Sebastian Tants-Boestad

Dave Eggers’s best­selling tech dystopia, The Cir­cle (2013), has final­ly received a sequel. While The Cir­cle described the rise of a fic­ti­tious tech and social media com­pa­ny and its protagonist’s steady descent into the mael­strom of sur­veil­lance cul­ture, The Every now picks up a cou­ple of years lat­er, after the Cir­cle has acquired a big online retail­er “named after a South Amer­i­can jun­gle.” The result­ing mega cor­po­ra­tion, called the Every, is pret­ty much the monop­o­list in all things dig­i­tal tech – from apps to online shop­ping to cut­ting edge hard­ware. Of course, it’s every bit as scary and unlike­able as one would imag­ine it to be. 

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