Tag Archives: Harriet Tubman

Setting the Stage for Black History Month

By Sabrina Völz

Pho­to Cred­it: “Woman holds up sign at the Black Lives Mat­ter protest in Wash­ing­ton DC  6/6/2020” by Clay Banks

It’s that time of year again. Feb­ru­ary 1 marks the begin­ning of Black His­to­ry Month. Before I sug­gest some use­ful resources, let’s briefly look at its origins.

Fact 1: The Unit­ed States is not the only coun­try to offi­cial­ly cel­e­brate it. In addi­tion to our neigh­bors to the North, who also cel­e­brate this time of remem­brance in Feb­ru­ary, the Irish and the Unit­ed King­dom observe Black His­to­ry Month in October.

Fact 2: The roots of Black His­to­ry Month in the U.S. can be traced back to his­to­ri­an Carter G. Wood­son and the Asso­ci­a­tion for the Study of Negro Life and His­to­ry, who togeth­er marked the sec­ond week of Feb­ru­ary – which coin­cides with Abra­ham Lincoln’s birth­day – as Negro his­to­ry week in 1926.

Fact 3: Even the Great Eman­ci­pa­tor had his fail­ures, and so it’s undoubt­ed­ly best that in 1969 stu­dents at Kent State moved to cel­e­brate the con­tri­bu­tions and cul­ture of Black Amer­i­cans for an entire month, instead of plac­ing Pres­i­dent Lin­coln, who upheld the mass pub­lic hang­ing of 38 Dako­ta Sioux on Decem­ber 26, 1862, in the cen­ter of their celebrations.

So, if your school has nev­er cel­e­brat­ed Black His­to­ry Month before, it’s nev­er too late to get on that ‘soul train’. And since we didn’t want to leave you in the lurch, we’ve pro­vid­ed a list of some suit­able blogs we’ve pub­lished over the years on sub­jects, rang­ing from cul­tur­al icons, such as Aretha Franklin, Don Cor­nelius, and Bey­on­cé, to best books and fab­u­lous films deal­ing with Black iden­ti­ty and his­to­ry. You’ll also find infor­ma­tion on some cur­rent controversies:

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“Be Free or Die”: Teaching Harriet (2019)

By Sabrina Völz

It’s not easy to make a biopic that pleas­es the crit­ics. And, to some extent, Har­ri­et, direct­ed by Kasi Lem­mons, falls into that cat­e­go­ry. Har­ri­et weaves togeth­er facts about Har­ri­et Tubman’s life into a com­pelling sto­ry, but some crit­ics are not so enthu­si­as­tic about the film’s aes­thet­ic qual­i­ties. In Har­ri­et, there are no tru­ly unusu­al com­po­si­tion of shots or cam­er­a­work the likes of 12 Years a Slave, and the phys­i­cal hor­rors of slav­ery receive almost no screen time, lead­ing some to won­der if audi­ences are sophis­ti­cat­ed enough to fill in the gaps. The audi­ence sees, for exam­ple, the scars of bru­tal beat­ings with­out any sup­port­ing dia­logue. Thank­ful­ly, Lem­mons resists the temp­ta­tion to take an over­ly didac­tic or ‘preachy’ approach. Any aspects of slav­ery – and there are sev­er­al – that the film does not cov­er can be dealt with as film prepa­ra­tion. It is unre­al­is­tic to believe that one film can show all there is to show about slav­ery. It’s not the focus of the film any­way. This is in, the words of its direc­tor, a “free­dom film.”

Both of these so-called lim­i­ta­tions that I’ve just men­tioned, how­ev­er, make the film acces­si­ble to audi­ences of all ages and back­grounds. They fur­ther make Har­ri­et, rat­ed PG-13, an excel­lent film to explore with EFL stu­dents in upper-sec­ondary schools, espe­cial­ly since teach­ers are deeply con­cerned about the impact of media vio­lence on young peo­ple. Let’s face it, some scenes in 12 Years a Slave, rat­ed R, may over­whelm or trau­ma­tize teenagers. Before out­lin­ing fur­ther rea­sons for using the film in the (Ger­man) EFL class­room and pro­vid­ing some orig­i­nal teach­ing mate­ri­als for this action-packed film, let’s pre­view the trail­er and get a taste of the experience:

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https://www.youtube.com/watch?v=GqoEs4cG6Uw

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Harriet Tubman and the 20-Dollar Bill Controversy

By Sabrina Völz

Pub­lic Domain, https://en.wikipedia.org/w/index.php?curid=61139114

Mere days after Joe Biden was sworn in as Pres­i­dent of the Unit­ed States, the new admin­is­tra­tion announced its inten­tion to put Har­ri­et Tub­man – known as Moses – on the twen­ty-dol­lar bill. The cur­ren­cy redesign – a rel­a­tive­ly com­mon occur­rence in the 19th cen­tu­ry – was orig­i­nal­ly set for release in 2020 to mark the cen­ten­ni­al of the 19th Amend­ment that grant­ed women the right to vote. The major­i­ty of Amer­i­cans sup­port­ed the redesign in 2016 when the last poll on the issue was tak­en. Pres­i­dent Don­ald Trump put the project on hold, cit­ing secu­ri­ty issues and attribut­ing the Oba­ma ini­tia­tive to sheer polit­i­cal cor­rect­ness. While Trump may still view Andrew Jack­son as an Amer­i­can hero, his­to­ri­ans are quick to point out the com­plex­i­ties of the for­mer U.S. president’s biog­ra­phy. Jack­son owned hun­dreds of slaves and was respon­si­ble for the Indi­an Removal Act that led to the death of about 4,000 Chero­kees, forced to walk from the South­ern states to mod­ern-day Okla­homa on what is now referred to as the Trail of Tears. Even though he prob­a­bly should be, Jack­son will not be com­plete­ly removed from the twen­ty-dol­lar bill – he’ll just be demot­ed to the back. The irony of plac­ing Tub­man on one side and Jack­son on the oth­er on a sym­bol of nation­al iden­ti­ty has not gone unno­ticed and cer­tain­ly speaks to the divi­sion in Amer­i­can soci­ety today.

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